From pivotal, iconic venues in New York and California and the ubiquity of the house show, to the dramatic, intentional divorce from the highly lucrative hardcore/metal crossover scene, 1991 saw numerous DIY punk rock groups reinterpret a 14-year-old subculture with new and urgent relevance.
It was during the period between the Rodney King beating and subsequent court verdict that Ice Cube cut Death Certificate, a chilling glimpse into the anger and frustration South Central Angelinos were feeling.
Like pretty much everywhere else in the pop music universe, China's developing rock scene changed after Nirvana. It's just that China's rockers didn't get the memo in 1991, nor would've known what to do with it, then.
My Bloody Valentine's Loveless stands as an album of (at least) equal importance to Nirvana's Nevermind, garnering a great deal of its importance for the way that it offers a gender-bending sonic style that severed the entrenched connections between the electric guitar and masculine phallic power.
Listening to De La Soul Is Dead means immersing oneself inside a funny but terrifying universe, where brutality and self-destruction exist side by side with smart-ass jokes and sex talk and good music.
This year marks the 20th anniversary of Nirvana's Nevermind and Pearl Jam's Ten. In revisiting the grunge genre which altered the musical landscape two decades ago, the question arises: was this our last musical revolution?