In Conrad's significant project of tracking the representations of women in sci-fi cinema, he's mindful of his subjectivity.
20 Sep 2018
Conflicting viewpoints and intentions and external issues beyond anyone's control culminate in a film that is an unfocused, inconsistent mess.
Marvel Studios' goal with The Incredible Hulk was to rehabilitate the Hulk in the minds of moviegoers after a disappointing 2003 film, and also reimagine him as a more heroic character that would fit within the larger universe it was crafting.
Kill the clichés. Rebel artfully. Writer-director-musician Boots Riley talks with Cynthia Fuchs about empowering the power of Art.
Boots Riley announces himself a filmmaker to watch with an explosive racial satire that's as unforgettable as they come.
J.A. Bayona delivers one of the best Hollywood directorial efforts of 2018 in this genre, reviving this flailing franchise with guilty pleasures and a genuine sense of dread.
Emmy-nominated composer Ben Salisbury and Geoff Barrow, music producer and founding member of Portishead, speak with PopMatters about their original score for Alex Garland's science-fiction film, Annihilation.
In Catherynne M. Valente's Space Opera, the Meaning of Life has a beat and, depending on your alien physiology, you might be able to dance to it.
A new biography of the groundbreaking -- yet unassuming -- film director explores his multifaceted life and work.