Beginning today and continuing all week, we present one critic's best punk, post-punk, new wave, college rock, underground, modern rock, goth, industrial, new romantic, ska, power pop, hardcore, and indie rock of the '80s.
There are no vocal overdubs, no excessive instrumentation, and a relatively straightforward lyrical slant. In short, it shouldn't be a B-52's song ... but that's part of the charm as to why it is an essential one.
They cornered the genre known as "party-pop", dressed in '60s thrift store kitsch, and poured jokes and humor into all their lyrics. Oh, and their debut album is actually one of the greatest rock albums ever made. No, really.