The Flipside #13: U2’s ‘Pop’
U2's 1997 LP Pop marked peak sell-out for a very authentic '80s band. With a new vinyl reissue, the Flipside boys revisit it and wonder if it deserves to be as maligned as it is.
the flipside
The Flipside #12: David Gray’s ‘A New Day at Midnight’
Following the massive success of 1999's White Ladder and its mega-hit single "Babylon", David Gray could have taken any number of paths. He chose A New Day at Midnight, and it made all the difference.
The Flipside #11: Baz Luhrmann’s ‘Something For Everybody’
The Flipside examines film director Baz Luhrmann's surprisingly lively bubblegum pop effort Something for Everybody, which celebrates its 20th anniversary this year.
The Flipside #9: ‘Blade Runner 2049’
A big-budget sequel to a certified cult classic is always a dicey cinematic prospect, but with Denis Villeneuve at the helm, the Flipside fellas just couldn't wait to see what this new work would enhance.
The Flipside #8: ‘The Gambler’ (2014)
An overlooked 2014 remake of a James Caan classic asks a daring cinematic question: can Mark Wahlberg convincingly play a tenured English professor?
The Flipside #7: Taylor Swift’s ‘1989’
With "Look What You Made Me Do" and other songs soon to be plastered over the airwaves, the Flipside boys look back on Taylor Swift's 1989 and whether it lives up to its reputation.
The Flipside #6: Spectre
Spectre attempts to unify classic Bond camp with the grittiness of the Daniel Craig 007 films. Can anything be salvaged from the resulting mess?
The Flipside #5: Chris Cornell’s ‘Scream’
In 2009, Chris Cornell took the biggest risk of his career, and by most accounts he flopped spectacularly. But does Scream look any better in hindsight?
The Flipside #4: Lorde’s ‘Melodrama’
Critics are hailing Lorde's sophomore effort as a pop masterpiece, but does her new album live up to the hype or does its meaning get lost in the Melodrama?
The Flipside #3: Knight of Cups
Knight of Cups gorgeously captures Los Angeles, but has famed director Terrence Malick fallen too far down the rabbit hole?
The Flipside #2: Baby Driver
In the new bi-weekly column, critics Brice Ezell and Evan Sawdey saw Edgar Wright's Baby Driver and trace its heist-film lineage and iPod fetishization to its funky ends.
The Flipside #1: Oasis’ ‘Heathen Chemistry’ Turns 15
PopMatters' newest column kicks off with a reappraisal of the Oasis album time forgot: Heathen Chemistry, which turns 15 this July. Although the album was widely maligned upon its release, we dare to ask about this songbird: maybe it's good?
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