Much like the film for which it serves as the sonic backdrop for, Nick Cave and Warren Ellis' original songs and cover versions are both idiosyncratic and traditional. Those two may seem like good musical bedfellows, but here they're left to be a bland, unmemorable set of bluegrass songs.
From contemplative science fiction to macabre stop-motion, the 2000s brought forth some excellent film scores that are worth listening to long after the credits have rolled. With this year's Academy Awards just behind us, Sound Affects looks at the top movie scores from the 21 century so far.
Imagine a weird ending to Back to the Future where Doc Brown never shows up and Marty McFly convinces himself it was all just a dream. The sequel is just Marty living an everyday life. Now ask yourself what are your expectations of the DC reboot.
Director John Hillcoat talks to PopMatters about the hazards of being intimidated by legends, the funny side of cannibalism and Viggo Mortensen's sweet tooth as his adaptation of the seminal apocalyptic novel The Road hits theaters.
Warren Ellis’ violent, vicious, hilarious and horrifying vision of the future remains entrenched in a bleak and amoral future, where human beings are vat cloned as fast food livestock, media buys include subliminal bombs that buy ad space in your dreams and Star Trek style replicators are operated by AI addicted to cybernetic drugs.