The Iranian director sets his latest film in Japan (in Japanese) with newcomers. The pervasive discomfort throughout manages to linger after the film ends, but the viewer is left to determine the conclusion.
Day five witnesses a trio of films from some of the artform's leading lights: Michael Haneke returns with Amour, Hong Sang-soo competes with In Another Country, and the incomparable Abbas Kiarostami produces a new masterwork.
Mid-way through our series, Day 5 is a glorious mishmash of international auteurist cinema. Today we go from saints and sinners, from Brookyln to Britain, from the beginning of time to the Dystopian future, and around the world and beyond.