In Mangold's Logan, an elderly, sick surrogate father and a young, estranged, emotionally-scarred "daughter" come to rely entirely on the aged Wolverine who is now but a haunted, battered, suicidal husk. It's nothing like superhero films that came before.
Damon Lindelof's over-plotted, over-anxious, daring, genre-hopping offshoot of Alan Moore's alternate-history graphic novel, Watchmen, is less a show about hunting down the bad guys than it is about the twisted turns and stubborn legacies of racist trauma in America -- and the resistance to atoning for it.
If the best measure of success for a comic book film is how well it captures the tone for the central character, then Ryan Reynold's beloved character in Deadpool makes it among the greatest superhero films of all time.
With Guardians of the Galaxy, set to the soundtrack of an Awesome Mix Vol. 1 cassette tape, Marvel Studios adapted a little-known comic book property -- with a raccoon superhero -- into a hugely successful film and launched the next wave of comic book films.