The gorgeously shot 1930 ethnography, ‘The Silent Enemy’, depicts the life of an Ojibway tribe long before the advent of European explorers and settlers.
Little did the filmmakers behind Ruben Fleischer’s Venom know that Carnage would become a poisonous burden to Andy Serkis’ sequel, Venom: Let There Be Carnage.
Marvel Studios’ Shang-Chi and the Legend of Ten Rings tries to recontextualize its stereotypical origins into a highly-entertaining film. Does it succeed?
The optimism found in Avatar: The Last Airbender darkens to cynicism and violence in the follow-up series, Avatar: The Legend of Korra. Why did this happen?
Marvel Studios’ What If…? on Disney+ is an intriguing animated and narrative exercise in the MCU, but why isn’t it as exciting as we anticipated?
While the original Star Wars trilogy display George Lucas’ youthful optimism, the prequels reveal his dismay and regret at the world created by the Boomer generation.
Marvel Studios’ Black Widow was too little, too late for the MCU’s most popular female character due partially to misogynistic business practices at Disney.
Alberto Mielgo’s creature in the sci-fi short Jibaro represents treasure, not nature, and this aligns her perfectly with tales of chivalric literature – as does her predatory behavior.
Alias actors Carl Lumbly and Michael Vartan recall their work with J.J. Abrams, Jennifer Garner, and others on the spy/sci-fi action thriller, now airing on Disney+.
Balancing its serious side with silliness and sincerity, queer-positive Everything Everywhere All At Once speaks to a communal determination to press forward, even when it seems the whole world is pressing back.
Just as Camille Paglia praised George Lucas’ magnum opus, Star Wars: Episode III – Revenge of the Sith, I too run the gauntlet of jeers and spitballs.