Balancing its serious side with silliness and sincerity, queer-positive Everything Everywhere All At Once speaks to a communal determination to press forward, even when it seems the whole world is pressing back.
Just as Camille Paglia praised George Lucas’ magnum opus, Star Wars: Episode III – Revenge of the Sith, I too run the gauntlet of jeers and spitballs.
Robert Eggers’ witchy, weird, and pitilessly violent Viking revenge saga, The Northman, features operatic scope and magical imagery that will burn into your retinas.
Filmmakers Daniel Kwan and Daniel Scheinert on the many possibilities within Asian mothers as seen in their sci-fi comedy Everything Everywhere All at Once.
Matt Reeves’ meandering faux-profound take on Batman spends its over-long runtime telling women to shut up and do as they’re told or face the consequences.
Italian mobster series Suburra exploits its Roman setting, using carefully composed shots and symbolically charged locations to suggest that nothing has changed in Rome since antiquity.
Alonso Ruizpalacios’ sort of documentary, ‘A Cop Movie’ (Una película de policías), takes on the challenge of presenting what real-life policing looks like.
In a world where everybody knows that Peter Parker is Spider-Man, universes are bound to go crazy, and that makes Spider-Man: No Way Home fantastic entertainment.
The ’70s were politically charged when Assault on Precinct 13 was released. Our perception of the film’s message is the only thing that has changed since.