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Film

The Obstacles in 'Ant-Man and the Wasp' Are Not Typical of MCU

Peyton Reed's "Disney-fied" Ant-Man and the Wasp is unchallenging in all the best ways.

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Film

Marvel's 'Black Panther' Has Its Claws in the Zeitgeist

Ryan Coogler's Black Panther engages with deep and timely social, cultural, and psychological concepts, and completely taps into America's zeitgeist.

Film

'Thor: Ragnarok' Destroys and Discards the Thor Mythos

Taika Waititi's Thor: Ragnarok takes a refreshingly iconoclastic approach to Thor, throwing out the old, bringing in the new, and packaging the story in a colourful, gorgeously trashy aesthetic that perfectly captures the spirit of the comics.

Film

A Fix of Fantasy: Reviving the Wondrous Films of Karel Zeman

The imaginative filmmaker Karel Zeman influenced many artists including Terry Gilliam, Tim Burton, fellow Czech Jan Švankmajer, the Brothers Quay, and animator Lawrence Jordan's recycling of classic 19th Century imagery.

Film

'Spider-Man: Homecoming' Has the Most Relatable Peter Parker

The teen-focused, John Hughes-inspired approach not only makes Spider-Man: Homecoming feel fresh in the realm of Spider-Man films, but in superhero films in general.

Film

Cue the Music: 'Guardians of the Galaxy Vol. 2'

James Gunn crafts a deeply flawed film, but Guardians of the Galaxy Vol. 2, which digs deep into daddy issues, is still entertaining, visually gorgeous, and likable.

Film

Has Terry Gilliam Finally Captured Don Quixote?

In Gilliam's 25-year pursuit of filming Don Quixote, the story is at last made manifest in The Man Who Killed Don Quixote. But the character's spirit is crafty.

Film

'Doctor Strange': It's About Time

Scott Derrickson's Doctor Strange is a surprisingly cerebral, emotionally relatable film. It's also wrapped in some of the most exciting and unique blockbuster visuals seen in years.

Film

'X-Men: Apocalypse': The Apocalypse of Comic Book Films

The filmmakers' attempt to mask X-Men: Apocalypse's lack of purpose and thematic unity with a stunning density of characters, plot lines, and fan service. But we see behind the mask.

Film

'The Rise of Skywalker' Is a Lightsaber Duel between Good and Evil, Past and Present, Authenticity and Greed

The Rise of Skywalker has been trumpeted as the last in the Skywalker saga. But with Disney's and this trilogy's annoying tendency to resurrect, it may never end.

Film

'Star Wars: The Rise of Skywalker' Is a Let-Down

The third installment to the Star Wars trilogy, The Rise of Skywalker, has us wondering. Is this trilogy about creating memories? Or is it simply an act of remembrance?

Film

Oh, That Tiger!: Fritz Lang's Indian Epics

Fritz Lang's The Tiger of Eschnapur and The Indian Tomb are hothouse flowers of cinema with gyrating dancers, man-eating tigers, pagan magic, groaning lepers, and mythic moments. Has Lang ever come up with more desperate, mad, or heroic symbols of futile struggle?

Film

'Captain America: Civil War' Mirrors Another Kind of American Civil War

In the Russo Brothers' Captain America: Civil War, friend turns on friend, and no easy resolution is reached. It's rather like the toxic online fan culture that followed the film's release.

Film

New York Film Festival 2019: 'Bacurau'

Loony anti-colonialist Brazilian satire Bacurau doesn't always balance its humor with its bite, but its communitarian soul, oddball wit, and dark vision of the future still hits home.

Film

Deadpool and Ryan Reynolds' 11-Year Love Affair

If the best measure of success for a comic book film is how well it captures the tone for the central character, then Ryan Reynold's beloved character in Deadpool makes it among the greatest superhero films of all time.

Film

'Ad Astra' Says Goodbye to the Great White God

At its better moments, James Gray and Dan Bradley's Ad Astra brings forth larger themes beyond the usual space action-thriller.

Film

Sub-Atomic Particles and Brilliant Heist Sequences: 'Ant-Man' Masters the Tiny Universe

There are strong emotional stakes and likeable characters in Peyton Reed's Ant-Man, but they are all rooted in a, well, less than epic scale. This makes Ant-Man refreshing, an MCU palate cleanser.

Film

'Toy Story 4' and the Consolation of Uselessness

Josh Cooley's addition to the Toy Story universe is injected with something altogether more cosmic in scope than the previous films -- a comedic reverie of all things disintegratory.

Film

Unbecoming Woman: 'Dark Phoenix' and the Dethronement of the Wealthy White Male Hero

Dark Phoenix makes it clear that the X-Men, as socio-political commentary, must take their own metaphor more seriously and evolve, already.

Television

Jane Goldman's 'Game of Thrones' Prequel Will Be Better Than the Original

As Empress of the Fantasists, if you will, Jane Goldman's prequel to Game of Thrones promises to be far less straightforward, way messier, and much more fun -- even without the dragons.

Film

'Spider-Man: Far From Home' Is a Perfect Date Movie

Spider-Man: Far From Home is arguably the cutest, funniest, most entertaining comic book superhero movie of the year.

Film

'Guardians of the Galaxy' Blew the Door to Comic Book Films Wide Open

With Guardians of the Galaxy, set to the soundtrack of an Awesome Mix Vol. 1 cassette tape, Marvel Studios adapted a little-known comic book property -- with a raccoon superhero -- into a hugely successful film and launched the next wave of comic book films.

Film

Film Composer Carter Burwell Provides the Missing Link to Chris Butler's 'Missing Link'

Among today's most prolific film composers and a two-time Academy Award nominee, Carter Burwell ventures into animated fare with the Chris Butler's Missing Link.

Film

'X-Men: Days of Future Past' Restored the Series to Its Former Glory

More than any previous X-Men film, Days of Future Past engages in deeply geeky, comic book-inspired elements resulting in the best cinematic representation of X-Men comics to-date.

Film

'The Man Who Killed Hitler and Then The Bigfoot' Will, Like 'Donnie Darko', Surprise

The title suggests that this would be a schlocky B movie with a '70s-style grindhouse aesthetic, but The Man Who Killed Hitler and Then The Bigfoot is, in fact, a finely crafted and emotionally charged drama about ageing, loneliness, and lost love.

Film

'Avengers: Endgame' Satisfies on Every Level

Big budget action filmmaking doesn't get much better than the Russo Brothers' Avengers: Endgame.

Film

Claire Denis Goes for Broke with Hallucinatory Space Thriller, 'High Life'

High Life is more a series of tensions and breaking points than it is a traditionally satisfying space narrative, but Denis's allegiance to directors like Tarkovsky and Kubrick offers an intriguing view of humanity at the gates of the final frontier.

Film

East Meets West in Cold War Vacations 'The Golden Head' and 'Flying Clipper'

Flicker Alley restores Cinerama travelogue spectacles The Golden Head and Flying Clipper.

Film

Fernando Lamas Shows His 3-D Assets in Kino Lorber's 'Sangaree' and 'Jivaro'

If you care about 3-D history, or about Lamas, or about how far the '50s could push erotic buttons (or un-buttons) within family entertainment, you'll have a good time with 'Sangaree' and 'Jivaro'.

Film

'Captain Marvel' Sees the MCU Through a Woman Character's Eyes

Captain Marvel is a solid start for a strong, compelling character that will grace the big screen for years to come.

Film

'Captain Marvel' Is Predictable

Directors Boden and Fleck skimp on the character development and emphasize the action in the disappointing misfire from the MCU, Captain Marvel.

Film

'The Wolverine' Is a Stranger in a Strange Land

James Mangold's The Wolverine taps into Western tropes and Samurai aesthetics to deliver a more thoughtful, soulful comic book film… until the climax.

Film

Thinking Outside the Box: An Interview with Bill Watterson of 'Dave Made a Maze'

"I don't want to make statements, I want to see human behaviour and life unfold…" says director Watterson, who admits that the imaginative Dave Made a Maze has an identity crisis.

Film

'Iron Man 3' Finds Its Hero in Crisis

Marvel Studios launched its second phase of films with Iron Man 3, a film filled with bold storytelling choices and irreverent humour that would become hallmarks of the MCU.

Film

Marc Webb's '​The Amazing Spider-Man​' Is a Reboot That Deserves a Rewatch

Perhaps it was redundant after the previous Spider-Man trilogy, or was overshadowed by more high-profile summer 2012 superhero films, or was lumped in with its truly awful sequel, but The Amazing Spider-Man is a fine superhero film.

Film

Joss Whedon's 'The Avengers' Blasts Away All Other Comic Book Films

By perfecting the comic book superhero formula and creating the first big-budget shared universe with The Avengers in 2012, Joss Whedon and Marvel Studios came to define this decade of blockbuster filmmaking.

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