Peach Pit Prove Their Worth on ‘Magpie’
The songs on Peach Pit’s Magpie have little idiosyncrasies. They are built around sophisticated chord progressions and unique vocal and guitar melodies.
The songs on Peach Pit’s Magpie have little idiosyncrasies. They are built around sophisticated chord progressions and unique vocal and guitar melodies.
Kit Sebastian’s New Internationale is a robust pop masterpiece, a boldly artful work that is refined but not restrained, tasteful but never bland.
Maude Latour’s ambitious debut LP suggests something rare: a visionary willing to trust her vision. The record offers a cohesive manifesto of mysticism.
It’s raucous, it’s queer, and it’s uncompromising. Blood’s Tim O’Brien is sticking to his guns. “I won’t change the [band] name for the sake of search engines.”
Blood’s LP builds and occasionally explodes, providing catharsis in sounds more than shouted lyrics. It sounds more like a balm than ripping off a Band-Aid.
L’étrangleuse’s music draws from all sides of the Mediterranean and beyond, creating something new and categorically nebulous in a way that works well.
Lives Outgrown seems like an outgrowth of where Beth Gibbons’ mind and talents have taken her in the past decade, which is to ruminate on how life is a vapor.
Romanticism emerges as a whole, as Hana Vu’s space to ask some big questions, though the answers she’s receiving are mostly ambivalent at best.
There are few things more thrilling in music than hearing a band reach another level of mastery of their craft, and Snarls sound positively inspired on With Love.
Even at this young age, Arthur Melo has a careful hand and a grasp on what’s timely as he crafts dreamy new música popular brasileira on his luscious new LP.
All we have is each other. Let’s dance and fall in love, for what else is there? Reyna Tropical’s Malegría provides the soundtrack.
British indie artist Jane Weaver bridges the experimental textures of her earlier work with accessible pop gestures on her latest album.