OH MY GIRL’s ‘Real Love’ Holds Appeal for Britney Spears Fans
If there is such a thing as “alternative K-pop”, OH MY GIRL are strong contenders for the title of this genre’s queens.
If there is such a thing as “alternative K-pop”, OH MY GIRL are strong contenders for the title of this genre’s queens.
Alt-rocker DYLYN returns with the gorgeous title track of a splendid six-song EP that signals she’s here to stay. She discusses her music and premieres “Bring on the Blues”.
By letting her existential anxieties take center stage, Hatchie embraces alt-pop sensibilities on Giving the World Away to process life and loss in all its messy glory.
Eclectic Canadian singer-songwriter Caylie Staples embraces ethereal electropop on her stunning new solo album, Future Memory.
King Hannah’s new album shows the duo honing their sound and posture, building on the more Dionysian and possibly less self-conscious stylings of their 2020 EP.
On GOSS’ sophomore electropop album, I Feel Like Planet Earth the music is our saving photosynthesis, fighting off the darkening times.
Astrid Williamson’s songwriting prowess as both a classically trained artist and an alternative rock maven makes the earth tremble on Into the Mountain.
Looking at Rina Sawayama, Azealia Banks, Charli XCX, and Kim Petras’ rise and fall in the charts one wonders – does gay fandom help pop divas’ careers?
Kissin Time is the sole moment in Marianne Faithfull’s more recent recording period in which she allowed her musical collaborators to shape her sound.
Pop renaissance man Shamir channels trauma, rage, and feelings of angst, and in response to our troubled times, he’s released an album of uncommon beauty.
Andy Bell’s Flicker is the sound of a musician known primarily in shoegaze/Britpop circles who decided to make a singer-songwriter album, and it’s smashing.