As the commune was to hippies, so the garage has been to garage bands and to their proto-punk, punk, and post-punk successors: an enclave where marginalized youth can fantasize or realize their visions of independent alternative art and lifestyles.
Not so beholden to British traditions, Welsh bands are as likely to be influenced by US music as UK music. Indeed, Cardiff is sometimes called the “New Seattle” due to its prevalence of (post-)grunge bands.
While England was exporting the Beatles, Rolling Stones, and the Who '60s, Wales offered up Shirley Bassey, Mary Hopkin, and Tom Jones. Things changed, thankfully, and Super Furry Animals became the heart and soul of the Wales “Cool Cymru” movement.
Doves and Elbow register in the 9-to-5 tradition of working class Manchester, where respect is earned through hard work, and character is assessed by true-to-self authenticity and true-to-others selflessness.
Punk-influenced performance poetry now thrives on both sides of the Atlantic, as open mics and poetry slams draw new generations of writers with combative tones, satirical perspectives, and rock-inspired rhythms in their lines.
Extreme was the nature of the Macc Lads' music, as was the nature of reactions to it. Within their deftly created insular world, traits of civility, sensitivity, and compromise were anathemas. Therein lay the foundation of their punk-inspired wit.
Ian Dury's subversive humor gently ribbed the eccentrics within his own class-culture. His caricatures were vicarious self-parodies, pre-emptive strikes fending off a dominant middle-class inclined to more demeaning and patronizing portraits of its "inferiors".
Manifested in child-centered humor, the Beatles offered candy for the kids, tapped into the regressive escapist instincts of the arrested adolescents of the hippy subculture, and offered "seemingly" unthreatening fare for adults.