“Omoiyari” was the guiding light for Kishi Bashi and Justin Taylor Smith in creating their documentary about Executive Order 9066 and Asian American identity.
Descendant films the stories from the progeny of the slaves of the Clotilda. The result is a testament to the spirit of a community that refuses to disappear.
Circles are central to Questlove. He loves a circular connection and a sidelong glance. Circles overlap and connect in his artful book, Music Is History.
Saturated in apocalyptic fears of the atomic bomb, 1980s music was also danceable and transporting. How can something that was so horrible also be so much fun?
Schulman’s Let the Record Show argues that AIDS continues to kill queer, drug-addicted, brown, black, undocumented, and uninsured people.
Filmmakers Jeffrey Wolf and Sam Pollard talk about artist Bill Traylor, born into slavery, whose works define this singular creative voice in American art.
Kai Bird’s biography argues that former US President Jimmy Carter was a prophet of uncomfortable truths who urged America to reevaluate its myths and thorniest problems.
In One Week in America, Patrick Parr guides readers through several earth-shattering events and their impact on the 1968 Notre Dame Literary Festival.
Thomas Healy’s ‘Soul City’ shines a light on the obstacles Black activist Floyd McKissick faced to create an inclusive community in America.
Black Against Empire attempts something beyond the scope of power-to-the-people flashbacks of Afros, dashikis, and raised fists: it takes the Black Panther Party seriously as a political entity taking dead aim on American laws and values.
From the onset, Amanda Gorman's poem, "The Hill We Climb", dissolves the ideology that a presidential inauguration announces the new and deracinates the present from the past.
