
Built with an Old Hammer: Dale Watson’s Honky-Tonk Truth
The tools haven’t changed much. The influences are still there. The approach is the same. Dale Watson is still building, as he puts it, with that old hammer.

The tools haven’t changed much. The influences are still there. The approach is the same. Dale Watson is still building, as he puts it, with that old hammer.

Dale Watson sings and writes about love, life, and liquor with equal fervour. He’s a passionate man, whether he’s crooning about yellow mustard or his own death.
Connie Smith and her colleagues might be historians, but they bring old Nashville impressively into the present with The Cry of the Heart.
With regular use of pedal steel, Karen Jonas’ songs are perfect for honky-tonks where it’s not unusual for people who have just met to become dance partners.

On Aftermath, Elizabeth Cook reflects on what has passed and continues as a protagonist who has been changed by experience. She's not willing to accept what is.

The music world has been conquered by women like Whitney Rose, whose guitar based-sounds on We Still Go to Rodeos recall the splendors of the past and move them forward with a kick in the butt.

Texas singer-songwriter Whitney Rose turned a panic attack into the hook-laden "In a Rut" from her upcoming album, We Still Go to Rodeos.
Winner of the 2017 Ameripolitan Music Award for Best Rockabilly Female stakes her claim with her band on accomplished new set.
No, Dale Watson didn’t watch the CMA Awards, because he founded his own, and the flagship Ameripolitan artist doesn’t hold back about the state of the scene.
Dale Watson wants to secede from country music and all we can do is hope that this is one rebellion that comes to a happy end.