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        'Kingdoms of Amalur: Reckoning' Twists Videogame Tropes
    
Colin Dray

        05 Mar 2019
    
Games
    
        Moving Pixels Podcast: Exploring the Mind-Body Connection in 'Soma'
    
G. Christopher Williams

        28 Nov 2016
    
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        'A Machine for Pigs' and the Failure of Psychological Horror
    
Nick Dinicola

        18 Nov 2016

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Games

'The Dark Descent' and the Limits of Psychological Horror

Amnesia: The Dark Descent experiments with the limits of psychological horror, but it can't find a way around them.

Games

The Moving Pixels Podcast Finally Gets 'Amnesia'

Just in time for Halloween, the Moving Pixels Podcast revisits the 2010 cult horror game Amnesia.

Reviews

'Unknown' Will Probably Remain That Way

Missed opportunities lurk around every corner of this messy production.

Games

But Who Am I?: Schizophrenia as a Metaphor for the Player-Character Relationship

Deadly Premonition makes the idea clear that the player serves as the voice in the head of the schizophrenic, and these moments remind one that all input in a video game is fundamentally like this.

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'Kingdoms of Amalur: Reckoning' Twists Videogame Tropes

Moving Pixels Podcast: Exploring the Mind-Body Connection in 'Soma'

'A Machine for Pigs' and the Failure of Psychological Horror

'The Dark Descent' and the Limits of Psychological Horror

Amnesia: The Dark Descent experiments with the limits of psychological horror, but it can't find a way around them.

The Moving Pixels Podcast Finally Gets 'Amnesia'

Just in time for Halloween, the Moving Pixels Podcast revisits the 2010 cult horror game Amnesia.

Measuring Success: The Unsatisfying Notion of "Good Endings" and "Bad Endings"

Sometimes stories need to end badly in order to be really good.

'Unknown' Will Probably Remain That Way

Missed opportunities lurk around every corner of this messy production.

But Who Am I?: Schizophrenia as a Metaphor for the Player-Character Relationship

Deadly Premonition makes the idea clear that the player serves as the voice in the head of the schizophrenic, and these moments remind one that all input in a video game is fundamentally like this.

Kathleen Edwards Finds 'Total Freedom'

Jaye Jayle's 'Prisyn' Is a Dark Ride Into Electric Night

Jaga Jazzist's 'Pyramid' Is an Earthy, Complex, Jazz-Fusion Throwback

A Fresh Look at Free Will and Determinism in Terry Gilliam's '12 Monkeys'

The Devonns' Debut Is a Love Letter to Chicago Soul

JOBS Make Bizarre and Exhilarating Noise with 'endless birthdays'

Max Richter's 'VOICES' Is an Awe-Inspiring and Heartfelt Soundscape

Nnamdï' Creates a Lively Home for Himself in His Mind on 'BRAT'

Finding the Light: An Interview with Kathy Sledge

HBO's 'Lovecraft Country' Is Heady, Poetic, and Mangled

'Avengers: Endgame' Culminates 2010's Pop Culture Phenomenon

DYLYN Dares to "Find Myself" by Facing Fears and Life's Dark Forces (premiere + interview)

'Bigger Than History: Why Archaeology Matters'

How Hawkwind's First Voyage Helped Spearhead Space Rock 50 Years Ago

Hip-Hop's Raashan Ahmad Talks About His Place in 'The Sun'

In Amy Seimetz's 'She Dies Tomorrow', Death Is Neither Delusion Nor Denial

We are afraid of time, and so like Leonard in Memento, we kill it, compulsively and indiscriminately.

Amnesia: The Dark Descent experiments with the limits of psychological horror, but it can't find a way around them.

Just in time for Halloween, the Moving Pixels Podcast revisits the 2010 cult horror game Amnesia.

Sometimes stories need to end badly in order to be really good.

Missed opportunities lurk around every corner of this messy production.

Deadly Premonition makes the idea clear that the player serves as the voice in the head of the schizophrenic, and these moments remind one that all input in a video game is fundamentally like this.