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        'Kingdoms of Amalur: Reckoning' Twists Videogame Tropes
    
Colin Dray

        05 Mar 2019
    
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        Moving Pixels Podcast: Exploring the Mind-Body Connection in 'Soma'
    
G. Christopher Williams

        28 Nov 2016
    
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        'A Machine for Pigs' and the Failure of Psychological Horror
    
Nick Dinicola

        18 Nov 2016

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Games

'The Dark Descent' and the Limits of Psychological Horror

Amnesia: The Dark Descent experiments with the limits of psychological horror, but it can't find a way around them.

Games

The Moving Pixels Podcast Finally Gets 'Amnesia'

Just in time for Halloween, the Moving Pixels Podcast revisits the 2010 cult horror game Amnesia.

Reviews

'Unknown' Will Probably Remain That Way

Missed opportunities lurk around every corner of this messy production.

Games

But Who Am I?: Schizophrenia as a Metaphor for the Player-Character Relationship

Deadly Premonition makes the idea clear that the player serves as the voice in the head of the schizophrenic, and these moments remind one that all input in a video game is fundamentally like this.

Reviews

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Features

12 Essential Performances from New Orleans' Piano "Professors"

The 50 Best Songs of 2007

How the Template for Modern Combat Journalism Developed

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PM Picks

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'Kingdoms of Amalur: Reckoning' Twists Videogame Tropes

Moving Pixels Podcast: Exploring the Mind-Body Connection in 'Soma'

'A Machine for Pigs' and the Failure of Psychological Horror

'The Dark Descent' and the Limits of Psychological Horror

Amnesia: The Dark Descent experiments with the limits of psychological horror, but it can't find a way around them.

The Moving Pixels Podcast Finally Gets 'Amnesia'

Just in time for Halloween, the Moving Pixels Podcast revisits the 2010 cult horror game Amnesia.

Measuring Success: The Unsatisfying Notion of "Good Endings" and "Bad Endings"

Sometimes stories need to end badly in order to be really good.

'Unknown' Will Probably Remain That Way

Missed opportunities lurk around every corner of this messy production.

But Who Am I?: Schizophrenia as a Metaphor for the Player-Character Relationship

Deadly Premonition makes the idea clear that the player serves as the voice in the head of the schizophrenic, and these moments remind one that all input in a video game is fundamentally like this.

Jess Williamson Reimagines the Occult As Source Power on 'Sorceress'

Flight and Return: Kendra Atleework's Memoir, 'Miracle Country'

David Grubbs and Taku Unami Collaborate on the Downright Riveting 'Comet Meta'

Country's Jaime Wyatt Gets in Touch With Herself on 'Neon Cross'

On Their 2003 Self-Titled Album, Buzzcocks Donned a Harder Sound and Wore it With Style and Taste

Lady Gaga's 'Chromatica' Hides Its True Intentions Behind Dancefloor Exuberance

'Modern' Is the Pinnacle of Post-Comeback Buzzcocks' Records

Nearly 50 and Nearly Unplugged: 'ChangesNowBowie' Is a Glimpse Into a Brilliant Mind

Sondre Lerche and the Art of Radical Sincerity

Chaucer's Plague Tales

Counterbalance 17: Public Enemy - 'It Takes a Nation of Millions to Hold Us Back'

The 50 Best Songs of 2007

Reaching for the Sky: An Interview with Singer-Songwriter Bruce Sudano

From Horrifying Comedy to Darkly Funny Horror: Bob Clark Films

How the Template for Modern Combat Journalism Developed

We are afraid of time, and so like Leonard in Memento, we kill it, compulsively and indiscriminately.

Amnesia: The Dark Descent experiments with the limits of psychological horror, but it can't find a way around them.

Just in time for Halloween, the Moving Pixels Podcast revisits the 2010 cult horror game Amnesia.

Sometimes stories need to end badly in order to be really good.

Missed opportunities lurk around every corner of this messy production.

Deadly Premonition makes the idea clear that the player serves as the voice in the head of the schizophrenic, and these moments remind one that all input in a video game is fundamentally like this.