
Pantheon’s House of High-Tech Mirrors
The post-human speculative sci-fi series Pantheon asks, can humanity recognize itself in its digital reflection?

The post-human speculative sci-fi series Pantheon asks, can humanity recognize itself in its digital reflection?

Star Wars: Rebels‘ blue-skinned Thrawn is a fictional echo of what America needs in these times: cultural intelligence, emotional control, and long-term thinking.

The Quay Brothers’ version of Bruno Schulz’s Sanatorium Under the Sign of the Hourglass is equivocal and bursting with plump metaphors ripe for interpretation.

Fantasia Film Festival caters to those who will explore the darkest and most extreme corners of genre cinema, while juxtaposing milder and more traditional genre works with dramas and comedies.

For Crying Out Loud: How Louie Anderson’s televised therapy sessions created the saddest, funniest cartoon of the 1990s.

In episodes from SpongeBob SquarePants and South Park, risk-taking is rejected, leading to psychosis and isolation, or it becomes an an ideology, leading to destruction and absurdity. A degree of risk-taking, however, is essential for a healthy society.

Our Best Film of 2024 commemorates intriguing films, emerging voices and celebrated doyens searching for stranger narratives and new angles on existing legends.

René Laloux’s conformity-challenging animated sci-fi The Time Masters resonates with Hayao Miyazaki films and Jack Vance novels.

Animator Mark Neeley blends his hand-drawn DIY style with the soundscapes of Devo’s Mark Mothersbough in his new short film.

Pablo Berger’s animated Robot Dreams is a near-perfect marvel of silent cinema nearly a century after talkies ended the silent era.

Well into the ’80s, animated filmmakers attempted to create something even stranger than the X-rated cartoon: the PG-13 cartoon.

French-American composer, painter, and film director Pierre Földes talks about his unbridled animated adaptation of Haruki Murakami’s stories, Blind Willow, Sleeping Woman.