Fear and Loathing in the Zone: ‘Annihilation’s’ Dreamy ‘Death Drive’
Annihilation's reflections on what Freudian psychoanalysts have referred to as the 'death drive' offers an account of modern life we cannot ignore.
Annihilation's reflections on what Freudian psychoanalysts have referred to as the 'death drive' offers an account of modern life we cannot ignore.
Emmy-nominated composer Ben Salisbury and Geoff Barrow, music producer and founding member of Portishead, speak with PopMatters about their original score for Alex Garland's science-fiction film, Annihilation.
Contrary to Alex Garland's disappointment that Paramount sold his film to Netflix, it might be a good thing for film nerds.
Alex Garland's follow-up to Ex Machina is a visceral cinematic experience that, while plagued with structural problems, delivers plenty of thrills and eye-popping spectacle.