
Peter Gabriel’s “In Your Eyes” and the Love of Myth and Ritual
There is far more to the title and meaning of Peter Gabriel’s song “In Your Eyes” than meets the eye, as it turns the lover’s eyes into a dwelling of belief.

There is far more to the title and meaning of Peter Gabriel’s song “In Your Eyes” than meets the eye, as it turns the lover’s eyes into a dwelling of belief.

Claire Dickson makes art music that casts a spell. There is a power here that mixes popular, personal, and jazz elements into a daring, delicious whole.

A new Talking Heads compilation acts like a scrapbook, looking at their early years as a trio before they exploded onto the New York scene and around the world.

New German Cinema shows that pop, when rendered with elegance and depth, can be as weighty as a tome, and although pain is inevitable, it can be a form of succor.

On The Mountain, Gorillaz render the cinema of life, with its frankness and earnest-heartedness, as naturally as anything they’ve created.

Nate Mendelsohn’s style as Market is eclectic and often beautifully bizarre, but always seems anchored, sometimes tenuously, to sophisticated pop structures.

Glorious gloom permeates the musical catalogue of Swedish singer-songwriter Fågelle, and her album Bränn min jord overflows with it.

Born from a cover-song subscription model, Xiu Xiu’s latest album unearths the raw humanity in pop confections. Jamie Stewart discusses this and more.
Tōth’s And the Voice Said refines his knack for balancing introspection, pop warmth, and unresolved inner tension.

Squeeze were always ambitious, although never at the expense of fun. Trixies is imaginative, impressive, and most importantly, fun.

Jazz trio the Setting have brought to fruition Eivind Opsvik’s love of 1970s and 1980s synthesizer music, ECM solo guitar albums, and experimental art pop.

Kate Bush and Charli XCX, in their own ways, challenge the vernacular of contemporary songcraft, a commitment that paid off for both women.