How Fleetwood Mac’s Stevie Nicks Became the New Age “White Witch”
The idea of Stevie Nicks as Fleetwood Mac’s “white witch” is particularly poignant as the second wave of feminism rolled into the ’70s.
The idea of Stevie Nicks as Fleetwood Mac’s “white witch” is particularly poignant as the second wave of feminism rolled into the ’70s.
Blur’s opening performance at Primavera Sound Madrid is cancelled due to rain, but their insane, borderline mythical private gig for a lucky few brings us to our knees.
Laura Wolf takes us on a true sonic adventure, marrying glitchy samples with emotional execution. It makes you want to hear more from this unique voice.
Water From Your Eyes traffic between experimental music of the krautrock period of the late 1960s and early 1970s and today’s feminine pop sensibility.
Vampire Weekend’s Modern Vampires of the City is very much a studio creation in the 21st-century sense, born from many months of sweat and obsession behind computer screens.
Is Kesha’s new experimental art-pop record, Gag Order, a cautionary tale? A cry for help? A cathartic release? Most likely, it’s all of the above.
Norwegian alt-pop artist Ane Brun releases two compilation records tomorrow, while today, she shares the previously unreleased “Hand in the Fire” with a video.
Scott Walker is a funhouse version of David Bowie. He carved out his own space in music, one almost stubbornly unfashionable but also indispensable in the way one-of-a-kind things often are.
We celebrate the career of experimental pop pioneer Scott Walker through 15 of his essential songs.
Angel Olsen’s Forever Means reaffirms her rising status as a worthy successor to esteemed figures like Emmylou Harris, Patty Griffin, and Iris DeMent.
In Scritti Politti’s Songs to Remember, Green Gartside comically challenges hegemonic structures in a perfect harmony of philosophy and pop.
Using the spirals of poetry and jazz that formed her, Fiona Apple’s Tidal established the 18-year-old as an honest and revolutionary voice in music.