Altın Gün’s ‘Aşk’ Is a Satisfying Return to Classic Anatolian Rock
The new Altın Gün album Aşk makes it clear where they are headed: back to their retro roots, bringing forth the sounds of classic 1970s Anatolian rock.
The new Altın Gün album Aşk makes it clear where they are headed: back to their retro roots, bringing forth the sounds of classic 1970s Anatolian rock.
Okkervil River’s Will Sheff sounds like someone shrugging off burdens, his music built on steady patience and willingness for difficult but freeing reflection.
Emotionally Amanda Shires’ Take It Like a Man interlaces heartache and disappointment with the profoundly temporal joys of new beginnings and aches of desire.
Drive-By Truckers’ Welcome 2 Club XIII is more introspective and subdued than the previous raw, unfiltered laments and analyses of American culture.
On My Morning Jacket, Jim James sifts through perceptions about technology and nature, offering a treatment for getting washed away by modernity.
Yol proves Altın Gün’s versatility, reassuring listeners that the group can walk down many paths and still take us on a fabulous trip.
Whereas My Morning Jacket's The Waterfall contemplated conflict, The Waterfall II identifies healing and personal transformation as the next stage of being.
The years have fallen quite well upon Old 97's as Twelfth stands out as masterful even among their stacked discography.
South African folk master Vusi Mahlasela pays tribute to his home and family with township music on live album, Shebeen Queen.
Once Drive-By Truckers' The Unraveling hits the fourth song, "Thoughts and Prayers", the album dives headlong into the nightmares of the United States in 2020.
King Gizzard and the Lizard Wizard go full metal to craft a brutal warning against ecological destruction on their 15th studio album, Infest the Rats' Nest.
Big without the "bang", Miss Universe poignantly showcases the young talent Nilüfer Yanya coming into her own on her own terms.