
Mary Halvorson Is Always Thrilling and Amazing
The latest from guitarist Mary Halvorson is another master class in jazz performance and composition. If she is the future of jazz, we are in tremendously gifted hands.

The latest from guitarist Mary Halvorson is another master class in jazz performance and composition. If she is the future of jazz, we are in tremendously gifted hands.

Tim Berne’s Yikes Too is three imaginative jazz musicians in a sandbox, building and molding, occasionally smashing a bit, but most typically creating magic.

Jimi Hendrix’s Woodstock percussionist, Juma Sultan, discusses his life with Hendrix, his experience in the New York free jazz scene, and current music.

Mary Halvorson’s Cloudward is a shimmering, deeply satisfying example of a jazz sextet firing on all cylinders. Prepare to be astonished.

Mal Waldron’s Mal/2 vinyl reissue is a handsome package that perfectly captures the late, great jazz pianist just as he was starting his 40-plus-year roll.

The music Joshua Abrams makes with his Natural Information Society is at once inviting, spell-inducing, and consciousness provoking.

Charles Mingus’ The Lost Album From Ronnie Scott’s is right there next to his most blistering records from the 1960s. It’s that good.

Every drum stroke and every breath blown on Wadada Leo Smith’s A Love Sonnet for Billie Holiday and The Chicago Symphonies carries multitudes of meaning.

Soul Food is a stepping stone for Christopher Parker in finding his voice as a bandleader. It’s impressive that jazz this free can be played with so much restraint.

Backed by an eclectic group of musicians, the latest work from violist/composer Jessica Pavone is centered on intuition and instinct.

Steph Richards’ Zephyr is a beast that, in everyone’s interest, shouldn’t be tamed. Strange music is one thing in that it provides life with much-needed flavor.

Henry Threadgill’s followers and fans of modern jazz will have a new milestone to celebrate with Poof. The rest of you work on not taking him for granted.