Nu Deco Ensemble and Kishi Bashi team up for a gorgeous live performance of "I Am the Antichrist to You", which has been given an orchestral renovation.
Fiona Apple's Fetch the Bolt Cutters is bold and demanding, and it might very well go down as the finest full-length she has ever made.
Across his career, Patrick Wolf has been a real ratchet of identities, textures, garlands, costumes, hairstyles and colours, reinventing himself with each album.
Boston art rockers, Bent Knee turn a corner with perhaps their most accomplished album yet in You Know What They Mean.
Vampire Weekend's largest headlining show in New York City, in support of their fourth album, Father of the Bride, was just one date of an extensive tour.
In contrast to Bat for Lashes' previous efforts—whose dense peculiarities and poeticisms rewarded deep listening—the retro Lose Girls is too run-of-the-mill and inconsequential.
Lana Del Rey's sixth studio album is a brazen, honest exercise in studied sophistication as well as the art of not giving a fuck.