Step back 10 years when we presented our 20 best re-issues of 2009, highlighted by the long overdue remastering of the Beatles oeuvre, a number of '80s and '90s classics, and one of the most storied catalogues in electronic music.
I've got the brand new doo-doo, guaranteed like Yoo-Hoo, I'm on like Dr. John, yeah Mr. Zu Zu. I'm a newlywed, not a divorcee, and everything I do is funky like Lee Dorsey. Beastie Boys’ 1994 landmark is this week’s Counterbalance. Phone is ringing. Oh my God.
The 119th Most Acclaimed Album of All time always goes out dapper like the Harry S Truman, and it’s madder than Mad's Alfred E. Neuman. Shadrach, Meshach, and Abednego are the subject of this week’s Counterbalance.
Career suicide albums fall into two camps: Those that were released ahead of their time, and those that set new standards in awful. The best thing that could be said about the later category is that these albums are oftentimes just as fascinating as an artist’s best work.
The boys employ religious allusions on “Shadrach” in a similar manner as they have used the references to movies, kids’ cartoons, and cereal boxes. They’re simply trying to come at their subject from multifarious angles and provide variety and interest for the listener.
“What Comes Around” is an ebullient three-minute track that highlights the Beastie Boys’ and Dust Brothers’ incomparable ability to create pleasant irony through perfectly-placed samples and humorous turns-of-phrase.
The Beastie Boys give us “5-Piece Chicken Dinner”, a brief, bright roll in the hay, only to juxtapose it with “Looking Down the Barrel of a Gun”, one of the darkest, dirtiest tracks on Paul’s Boutique--and also one of the best.
On “Hey Ladies”, the Beastie Boys prove that their hip-hop collage approach to making tunes is applicable to the four-minute single format, resulting in a track that is both technically accomplished and danceable.