Unlike Her Music ‘I Am: Céline Dion’ Is Not a Mournful Drama
Unlike how her subject’s music can be, Irene Taylor’s biography I Am: Céline Dion is not a mournful drama. That doesn’t mean it’s easy.
best film 2024
Thriller ‘The White Rabbit’ Ensnares Viewers in Hitchcockian Fashion
Thriller short film The White Rabbit ensnares viewers with a joke, a nightmare, and an illusion in a sly interplay that evokes Hitchcock’s Rear Window.
Debut Drama ‘Mabel’ Rejects the ‘Matilda’-Like Dream of Childhood
Nicholas Ma’s humorous, warm and sensitive directorial feature debut, Mabel, embraces the messy uncertainty of life, for children and adults.
‘Good One’ Challenges Adulthood’s Naïve Appropriation of Wisdom
India Donaldson’s directorial debut Good One leans into gender distinctions, but goes beyond them to offer incisive and observant critique of human nature.
The Settlers’ Blood-Chilling Journey into Humankind’s ‘Heart of Darkness’
Chilean revisionist Western, The Settlers, is a powerful film whose director shows admirable moral integrity that’s often absent in film history.
‘Skywalkers: A Love Story’ Dances on the Edge of Love
Skywalkers: A Love Story will endure because it’s not trapped in the moment of a daring acrobatic stunt; it’s rooted in the timeless human experience.
‘Scala!!!’ Is an Enjoyable and Oft-Hilarious Tribute to Alt-Cinephiles’ Elysium
Alternative film theater and music venue Scala’s contribution to British culture was urgent and necessary to counter the government’s regressive social policies.