Our writers undertake a track-by-track analysis of the most celebrated album of the 1990s: Nirvana's Nevermind. From the surprise hit that brought grunge to the masses, to the hidden cacophonous noise-fest that may not even be on your copy of the record, it's all here.
With a brilliant and rare lead vocal from Michael Dahlquist, "Around the Outline", Lifestyle's ninth track, takes the listener to a land of darkness, chill, and murder.
17 Sep 2015
Blink and you'll miss it. "Raging Bull", Lifestyle's eighth track, is a masterpiece, a mini-symphony, and nothing less than an example of virtuoso songwriting.
10 Sep 2015
"That's Entertainment", the seventh track of Silkworm's seventh album, features a devilish Lothario and guitar solos straight from heaven.
31 Aug 2015
Lifestyle's sixth track sends glad tidings to an old flame while drummer Michael Dahlquist brings the thunder.
26 Aug 2015
For the narrator of Lifestyle's fifth track "Roots", Missoula is the place he longs to leave but also the home to which he is always returning.
17 Aug 2015
Lifestyle's third track charges into town in search of a wife. A wild weekend and a chorus of unrivalled joy follow.
05 Aug 2015
Lifestyle's second track guzzles valerian tea and ponders foul apartments while the cat forgoes its vaccinations. The result is perfect pop music.
27 Jul 2015
Lifestyle's sun-kissed opening track finds our heroes in languid mood, contemplating foreign climes and foreign bodies.
20 Jul 2015
Like too many great bands, Lowercase have never received their full due. Ragged, deeply, sometimes even awkwardly, personal music like theirs typically becomes the property of small but passionate fanbases.
06 Jul 2015
Phantasmagorical stories, startling screams, and a visceral combustion of tension comprise Kill the Lights' penultimate tune, "Rare Anger".
29 Jun 2015
"Stairways" is a curious little instrumental that nonetheless feels comfortable in Kill the Lights -- that is, as "comfortable" as a song by lowercase could sound.
22 Jun 2015
"Neurasthenia" sinks into bed, going to sleep listless and defeated as Kill the Lights reaches its low ebb in the very middle.
15 Jun 2015
"Severance Denied" is possibly the most straightforward and uptempo track on the slowcore of Kill the Lights -- although "uptempo" is here a relative term.
09 Jun 2015
The newest Between the Grooves series tackles Lowercase's Kill the Lights, a great marriage of slowcore and post-punk: raw, angry, sullen, and very much alive almost 20 years later.
26 May 2015
"Happiness in Slavery" is a standout from Nine Inch Nails' early output not for its confrontational nature, but as a showcase for Trent Reznor's acumen as a musician and a producer.
24 Nov 2014
For its third and fourth tracks, Broken arms itself with a bludgeoning wall of sound, followed by silent, creeping dread
18 Nov 2014
“This is the first day / Of my last days." Nine Inch Nails' 1992 EP begins by gradually building up tension, then releasing it in caustic (yet controlled) outbursts that earned the act a Grammy Award.
12 Nov 2014
Nine Inch Nails' 1992 EP is half an hour of visceral, undiluted anger delivered through muscular, caustic guitars and Trent Reznor's anguished screams. It is concise, focused, and arguably the pinnacle of Nine Inch Nails' discography.
11 Nov 2014
The final song on Green Day's 2004 masterpiece paints a haunting portrait of romantic regret and longing that just about every listener can relate to.
03 Nov 2014
By the end of “Homecoming”, American Idiot has pretty much ended. The plight of the album's narrator is over, having reached closure by returning to where he started with a fresh, optimistic outlook on life.
27 Oct 2014
The 11th song on American Idiot, "Wake Me Up When September Ends" is arguably the most multifaceted and emotionally powerful composition on the album.
20 Oct 2014
Heartbreak, rejection, and rebellion collide in catchy, affective, and brilliant fashion on the ninth and tenth tracks from Green Day's 2004 masterpiece.
13 Oct 2014
The seventh and eighth tracks on American Idiot solidify Jesus' transformation into St. Jimmy, as well as introduce the woman who holds onto his heart like a "hand grenade". It's emotional, powerful, and very catchy.
07 Oct 2014
The fifth and sixth tracks on American Idiot represent a turning point in its narrative, as the man we thought was our hero finds himself unworthy of the position, and so he transforms himself into a more disruptive and selfish being so that he can deal with what the future holds.
30 Sep 2014
Featured: Top of Home Page
The fourth track on American Idiot finds our hero alone and lost at the start of his journey. Ten years later, it's still as catchy, tragic, and affective as ever.
23 Sep 2014
The third track on Green Day's 2004 opus blends its social commentary and coming-of-age narrative into a single explosion that's both powerful and profound.
15 Sep 2014
An exceptionally intricate, intelligent, gripping, and ambitious track, "Jesus of Suburbia" also did a fantastic job of setting up the story, characters, and social commentary that makes this LP so great.
08 Sep 2014
A decade later, Green Day's politically charged concept album remains one of the best, most important records of its era. The newest Between the Grooves series examines it in detail, starting with its mission statement title track.
02 Sep 2014
Collapse Expand Reviews
Collapse Expand Features