
Old Crow Medicine Show Celebrate America at 250 Years
Ketch Secor’s insistence on making a “Hooray for America!” record ends up putting Old Crow Medicine Show in an awkward position.

Ketch Secor’s insistence on making a “Hooray for America!” record ends up putting Old Crow Medicine Show in an awkward position.

Folk-rock troubadour Leah Song of Rising Appalachia discusses her passion for combining music and activism.

Tony Rice was an epochal guitarist, and his work with the likes of David Grisman, and Ricky Skaggs has long held a special place in the hearts of bluegrass lovers.
Americana singer-songwriter Jim Lauderdale aims to make one smile, and he understands the best way to do that is to smile at the other person first.

Carolina Chocolate Drops’ third album is still revolutionary and lays out a singular vision that’s traditional, innovative, scholarly, and fun.

Molly Tuttle’s So Long Little Miss Sunshine finds her stretching out her sound, though her songwriting and guitar skills continue to be on full display.

In a more sane world, Rising Appalachia would be filling arenas, but it’s fabulous to be able to catch them in an intimate setting like this.

Tim O’Brien’s new LP isn’t meant to shake the room and get everybody partying, but it will bring a smile and a tear to those who appreciate bluegrass and folk.

The ten songs on We’re All Gonna Live suggest life is worthwhile. Tony Kamel’s singing, playing, and songwriting offer hope in this crazy world.

Ollella’s Antifragile has enough beauty to remind us of how liberating having respect and an open mind can be in these troubled times.

Alison Krauss and Union Station show a meeting of minds, wildly creative professionals reunited to log yet another sterling work in their estimable discography.

Sierra Hull sees this LP as a balancing act. With one foot in old-time acoustic music and another in contemporary Americana, she doesn’t want to take a wrong step.