Recent

Events

Bob Weir and Wolf Bros Mine for Sonic Gold in California

Grateful Dead co-founder Bob Weir and his trio Wolf Bros close out the summer with a festive blast in Napa and Santa Cruz.

Music

BeachLife Launches 2019 Festival Season with Music Legends and SoCal Style

The debut BeachLife Festival adds another unique event to the California concert calendar with three days of musical fun in the sun curated for the classic laid back lifestyle of the City of Angels.

Music

Bob Weir and Wolf Bros Rock the Zeitgeist in Santa Barbara

There's a certain sonic gravitas in hearing Bob Weir's guitar in the trio format, and when he sings, "you can buy a whole god damn government today", he's reporting more truth than any corporate news media outlet dares.

Music

Phil Lesh and Bob Weir Come Together to Jam for Mt. Tam

Catching these counterculture pioneers in an intimate setting is a treat.

Interviews

Holly Bowling’s Tahoe Trip Leads to Terrapin Station and Beyond

San Francisco pianist uses music of Phish and Grateful Dead as stepping stones to her own dream career.

Music

Brace Yourself: An Interview With Allen Thompson

Two members of Allen Thompson's band broke their backs last year. Brace yourself for their new sound.

Music

Joe Russo's Almost Dead Doubletaps Oakland's Fox Theater

Joe Russo and his bandmates are taking an aggressively electrifying approach to the Dead’s music not seen since Phil Lesh was pushing the boundaries with his cutting edge “Quintet” lineup from 2000-03.

Music

The Weirwolf Revisits Cowboy Roots in Marin County with Explosive Results

The new album is truly a throwback to Bob Weir’s roots, making “The Campfire Tour” a rare and special chance to see a rock legend turn the clock back to show his fans how it all started.

Music

Bob Weir: Blue Mountain

A Grateful Dead founding member collaborates beautifully with Josh Ritter and the National on his first album of all original material in 30 years.

Music

The Grateful Dead Are Dead, Long Live the Grateful Dead

The Grateful Dead didn’t seem to give a damn about the American dream and yet seems to have lived it—well, parts of it, anyway.

Reviews

'Grateful Dead View from the Vault I and II' Reveals Some Early '90s Treats

The '90s may not have marked the Grateful Dead's creative peak, but these two DVDs, from 1990 and 1991, show that the group's continued popularity was justified.

Reviews

Be the Best Gravy You Can Be: 'The Wavy Gravy Movie: Saint Misbehavin'

Wavy Gravy emerges not only as a fascinating character, but as a powerful, inspiring, even heroic man. This is what the '60s always wanted to be about, but almost never were.

Reviews

'The Grateful Dead Movie': It Looked Like the end and Garcia and Co. Played Like It Was

With improved sound and a clearer image in Blu-Ray format, the viewer gets a stronger sense of the full majesty of musicians staring into the face of fear in an hour of darkness.

Music

Grateful Dead: Winterland 1973: The Complete Recordings

Ultimately, what I am trying to say is this: The Dead can be appreciated -- indeed, probably must be appreciated -- as a kind of continuing, evolving, shifty performance of “The Grateful Dead”.

Film

Festival Express (2004)

All these musicians wanted to do was to escape from the youth rebelliousness that they are supposed to have influenced and represented.

Todd R. Ramlow

Reviews

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Features

The 10 Best Sappy Love Songs of the 1970s

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PM Picks

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Pop Ten

The 25 Best Classic Progressive Rock Albums

The 100 Greatest Alternative Singles of the '80s: Part 1: 100 - 81

Jackie Chan's 10 Best Films

The 100 Greatest Alternative Singles of the '90s - Part 1 (100 - 81)

The 100 Greatest Alternative Singles of the '80s: Part 5: 20 - 1

The 100 Greatest Alternative Singles of the '80s: Part 2: 80 - 61

The 10 Best Sappy Love Songs of the 1970s

The 100 Greatest Alternative Singles of the '80s: Part 4: 40 - 21

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Grateful Dead co-founder Bob Weir and his trio Wolf Bros close out the summer with a festive blast in Napa and Santa Cruz.

The debut BeachLife Festival adds another unique event to the California concert calendar with three days of musical fun in the sun curated for the classic laid back lifestyle of the City of Angels.

There's a certain sonic gravitas in hearing Bob Weir's guitar in the trio format, and when he sings, "you can buy a whole god damn government today", he's reporting more truth than any corporate news media outlet dares.

Catching these counterculture pioneers in an intimate setting is a treat.

San Francisco pianist uses music of Phish and Grateful Dead as stepping stones to her own dream career.

Two members of Allen Thompson's band broke their backs last year. Brace yourself for their new sound.

Joe Russo and his bandmates are taking an aggressively electrifying approach to the Dead’s music not seen since Phil Lesh was pushing the boundaries with his cutting edge “Quintet” lineup from 2000-03.

The new album is truly a throwback to Bob Weir’s roots, making “The Campfire Tour” a rare and special chance to see a rock legend turn the clock back to show his fans how it all started.

A Grateful Dead founding member collaborates beautifully with Josh Ritter and the National on his first album of all original material in 30 years.

Jerry Garcia and Co. were capable of unbelievable highs and unfathomable lows. The lows take center stage on a lackluster set from Summer '78.

The Grateful Dead didn’t seem to give a damn about the American dream and yet seems to have lived it—well, parts of it, anyway.

The '90s may not have marked the Grateful Dead's creative peak, but these two DVDs, from 1990 and 1991, show that the group's continued popularity was justified.

Wavy Gravy emerges not only as a fascinating character, but as a powerful, inspiring, even heroic man. This is what the '60s always wanted to be about, but almost never were.

With improved sound and a clearer image in Blu-Ray format, the viewer gets a stronger sense of the full majesty of musicians staring into the face of fear in an hour of darkness.

Ultimately, what I am trying to say is this: The Dead can be appreciated -- indeed, probably must be appreciated -- as a kind of continuing, evolving, shifty performance of “The Grateful Dead”.

All these musicians wanted to do was to escape from the youth rebelliousness that they are supposed to have influenced and represented.