
Cocanha Set the Bar for Minority-Language Rock
That Cocanha can conjure sound paintings with little more than their mouths and a minority language shows they are in complete command of their journey.

That Cocanha can conjure sound paintings with little more than their mouths and a minority language shows they are in complete command of their journey.

The music fascinates and scintillates. 2 is an exciting new step for Yalla Miku as the group harness their collective chemistry and finds ways to elevate it.

Bongo Joe’s compilation is worth listening to from start to finish, a thrilling way to traverse the cosmopolitan scenes of Geneva and, by extension, a world of sonic style.
Orchestre Tout Puissant Marcel Duchamp are a cohesive collective in which each participant is passionate about the music they make.
Citron Citron’s Maréeternelle is accessible avant-garde pop still edging toward highbrow. It highlights the ultramodern sounds coming from Geneva’s underground.
At the center of Forest Law’s Zero is his versatile guitar work, through which he variously evokes bossa nova, classic funk, and psychedelic folk.
Azerbaijan’s Rəhman Məmmədli dazzles, deserving of recognition for his imaginative reconfigurations of longstanding forms and palpably impassioned playing.
Cyril Cyril’s Le Futur Ça Marche Pas is for agitators, a genre-be-damned assemblage of poetry and vivid effects in the form of well-produced electronic rock.

Bogotá's Meridian Brothers return with another avant-garde take on electric cumbia with Cumbia Siglo XXI.