Only the Surveilling Technology Is New ‘The Listeners’ Contends
In The Listeners, scholar Brian Hochman narrates a history of surveillance in the United States by means of technological cunning up to 2001.
In The Listeners, scholar Brian Hochman narrates a history of surveillance in the United States by means of technological cunning up to 2001.
Will Sergeant’s (Echo and the Bunnymen) biography is as much a depiction of childhood in post-World War II Britain as it is a chronicle of his musical growth.
Did the internet kill the music industry? Is cable television dead? Media scholar Amanda D. Lotz explores these concepts and their misconceptions in Media Disrupted.
Drag artist Linda Simpson shares her personal treasure trove of photographs to tell an important story about 1980s/’90s queer culture in The Drag Explosion.
Stuart Jeffries’ Everything, All the Time, Everywhere pins down the condition that governs our existence as blatantly and crudely as a force of nature.
Andrew Lipstein’s Last Resort takes the business of publishing to the very edge of the writer’s limit.
Breaking form with his latest work, Crossroads, Franzen has not written a social novel. He has written an Antisocial Novel.
In his book The Storyteller, both successful Nirvana drummer and Foo Fighters frontman Dave Grohl the Punk, and lucky Dave Grohl the Everyman, come out smiling.
Poet Laureate Tongo Eisen Martin’s words snake their way into one’s consciousness and viciously bite at the tragic absurdity of American racism.
Circles are central to Questlove. He loves a circular connection and a sidelong glance. Circles overlap and connect in his artful book, Music Is History.
Do you look “real” in virtual space? Such existential questions are central to ‘The Extreme Self’, which explores identity in our digital world.
Sonya Huber’s memoir, Supremely Tiny Acts, gives readers access to a witty mind that is full of delightful surprises discovered in a single day.