
Andrew Sacher Immortalises 2010s Emo in ‘Emo Revival’
The 2010s were a pivotal era for emo. One of the most appropriate to trace the history of the emo revival is Andrew Sacher, who spent 16 years covering the scene.

The 2010s were a pivotal era for emo. One of the most appropriate to trace the history of the emo revival is Andrew Sacher, who spent 16 years covering the scene.

Although How Many Roads isn’t an essential Bob Dylan biography, not all books have to be necessary to be effective and rewarding.

Cult novelist Adam Gnade’s latest, Wild Horse Shit, wrestles with the state of the world, encouraging untamed joy in the face of fascism.

Dorthe Nors’ Range is a story of suspension between two realms, one on a granular day-to-day scale and one whose scale is incomprehensibly vast.

Jesse Malin’s adventures through NYC take Almost Grown‘s readers through hallowed music landmarks where he is found rubbing shoulders with legends with almost comic frequency.

The Indecipherables, Anne Hellman’s pastiche of Hitchcock’s, Lynch’s, and Serling’s respective oeuvres, is a successful homage to “pure cinema”.

The beating heart of Robyn Hitchcock’s memoir, Stranded in the Future, is not necessarily his career but two great obsessions that inspired it.

Among his many discoveries about the Velvet Underground, Richie Unterberger’s description of unheard tapes will have fans salivating.

Guillermo Stitch’s metafiction The Coast of Everything is the sort of book that makes you feel simultaneously more intelligent and more illiterate.

The horror in Will Maclean’s Solace House is informed by preoccupations as diverse as Usborne Books’ Mysteries of the Unknowm, The Backrooms, Shirley Jackson, and Donna Tartt.

Journalist James Verini resurfaces the stories of those who sheltered from Putin’s war in the iconic Ukrainian theater, peeling back layers on a microcosm of the country’s struggle for cultural survival.

Kathleen Spaltro’s biography of Ethel Barrymore explores how her acceptance of her familial fate as a serious actor came at great cost to her creativity.