
‘The Cinema of Extractions’ Drills into Hollywood’s Petrochemical Bones
Professor of visual culture Brian Jacobson drills down into how oil fueled Hollywood and Hollywood fueled a new “Cinema of Extractions”.

Professor of visual culture Brian Jacobson drills down into how oil fueled Hollywood and Hollywood fueled a new “Cinema of Extractions”.

In Great Black Hope, Rob Franklin’s debut novel, we have a Black protagonist able to hide behind his finances, even when he slips.

The narrator of Not Long Ago Persons Found says “a detective story is supposed to be about the restoration of order”, yet this Kafkaesque tale does not do so.

Jon King’s Gang of Four memoir To Hell With Poverty! is full of spit and vinegar, a bit tetchy with a sly sense of humor.

Michael D. Stein’s A Living: Working-Class Americans Talk to Their Doctor affirms the dignity of work while refusing to reduce workers to transactions.

The incredible amount of information and the stunning reproductions of posters, stills, and publicity photos make Eddie Muller’s Dark City Dames a stirring tribute to women in film noir.

In Eric Puchner’s Dream State dramatic plot points bob upon a flat-line surface rather than rising, reflecting the rhythm inherent in actual human life.

In Sayaka Murata’s eagerly awaited novel Vanishing World, our conventional understanding of love and sex has all but disappeared.

Sameer Pandya mines the pain of immigrant parents wrestling with America’s existential crises in Our Beautiful Boys .

Reverence for Joni Mitchell is clear in Paul Lisicky’s memoir. So, too, is an artistic courage that both inspires and unsettles him.

Dion: The Rock ‘N’ Roll Philosopher is a tongue-in-cheek title that only Dion DiMucci can pull off with street panache—braggin’ is a blues tradition, after all.

America’s religiously observant Jews and Muslims straddle a highway, each with one foot in religion and one in culture while worrying about being hit by traffic.