
Vigdis Hjorth’s ‘Repetition’ and the Rhythm of Clinical Work
Vigdis Hjorth’s Repetition is as concerned with repression and the unconscious as it is a manifesto on the power of writing.

Vigdis Hjorth’s Repetition is as concerned with repression and the unconscious as it is a manifesto on the power of writing.

Hole bassist Melissa Auf der Maur’s memoir goes beyond clichés to offer a truly compelling perspective on the bohemian community of 1990s rock.

The narration in Murder Bimbo is whip-smart, clever, and satirical, but the novel’s unusual structure confuses.

Rather than rescuing a forgotten figure, Cosmic Music enlarges the frame through which Alice Coltrane is seen.

Brian Eno and Bette A. are on the same aesthetic page with Slow Stories, wherein the two form a kind of high-concept ASMR experience.

Andy Beta’s Alice Coltrane biography, Cosmic Music, is an excellent work about this forward-thinking and often misunderstood musician.

Playmakers illustrates that many toys of American childhood came into being because their Jewish creators were shut out of the American workplace.

Devin Jacobsen’s The Summer We Ate Off the China is a varied collection of emotional stories that will leave one feeling satisfied.

Biographer Marisa Meltzer accentuates the inner depth of her talented subject in her book, It Girl: The Life and Legacy of Jane Birkin.

Lemonhead Evan Dando’s long-awaited memoir is an engaging, sometimes harrowing, trip through the 1990s alternative rock boom.
Yiyun Li’s beautiful and complex autobiography Things in Nature Merely Grow is not about death or loss; it is about who we become when we lose.

Thomas Pynchon’s Shadow Ticket, should it be his last, showcases that even when he’s not at his very best, the man can pack an artful wallop.