‘I Love Boosters’ Is Not the Critique of Capitalism It Claims to Be
Director Boots Riley and critics interpret I Love Boosters as an anti-capitalist, if not revolutionary, tale. Quite the opposite, in fact.
boots riley
Acting It Out with Boots Riley and ‘Sorry to Bother You’
Kill the clichés. Rebel artfully. Writer-director-musician Boots Riley talks with PopMatters about empowering the power of Art.
‘Sorry to Bother You’ Is As Eye-Opening As It Is Bizarre
With Sorry to Bother You, Boots Riley announces himself as a filmmaker to watch with an explosive racial satire that’s as unforgettable as they come.
Sundance 2018: ‘Sorry to Bother You’ + ‘Blindspotting’
First-time directors Boots Riley and Carlos López Estrada tackle racial identity in radically different ways.
Freestyle’s Psycho-Social Rhythms
Watching a brilliant, teenage Biggie rhyme on a Brooklyn street corner in Freestyle, you can appreciate that documentation is at once contradictory and ambitious, futile and crucial.