Bala Desejo’s ‘SIM SIM SIM’ Is a Tale of Narcissism and Privilege
In Bala Desejo’s SIM SIM SIM I hear a lack of self-awareness and embarrassing naiveté that only the wellborn can afford to experience.
In Bala Desejo’s SIM SIM SIM I hear a lack of self-awareness and embarrassing naiveté that only the wellborn can afford to experience.
To fans of Brazil’s 1960s tropicália and 1970s psicodelia, Bala Desejo will sound like a natural extension. SIM SIM SIM is warm and gorgeous.
When not directly attacking Brazil’s dangerous Bolsonaro administration, drag queen Pabllo Vittar is changing the world one shaking bootie at a time.
Brazil’s queen of song Marisa Monte has launched a year-long international tour and talks with PopMatters about that and her latest album, Portas.
Inspired by hippie culture, psychedelic art, brega music, and Latin cultures, Luísa e os Alquimistas’ act is a complicated and brilliant promise of Brazilian pop.
Award-winning Brazilian musician Rodrigo Amarante talks with PopMatters about diversifying Latin sounds and ringing the political alarm in Brazil.
Marisa Monte’s first album in ten years is almost escapist in how its positivity and romance distance from Brazil’s current situation.
Seventeen years after its release, Jonh Cabano’s classic of Brazilian guitarrada paraense is finally available to stream. Hear “Guitarrada Amazônica” now.
Pabllo Vittar’s Batidão Tropical comes at a moment when Brazilian Northeast culture is on the rise but she’s taking Brega music to the next level.
Released in Brazil in 1972, ‘Nelson Angelo e Joyce’ is an offering of peace in response to a world at war.
On multilingual Tempo, the cosmopolitan experiences of Dominique Pinto’s life thus far come together in musings on the depths of time.