The Boo Radleys Still Sound Vital on ‘Eight’
The Boo Radleys’ Eight boasts too many potential singles to be written off as another wishful reunion. It proves they’re not only back but also thriving.
The Boo Radleys’ Eight boasts too many potential singles to be written off as another wishful reunion. It proves they’re not only back but also thriving.
Blur’s opening performance at Primavera Sound Madrid is cancelled due to rain, but their insane, borderline mythical private gig for a lucky few brings us to our knees.
The Black Watch’s Future Strangers is a collection of Britpop-influenced love-and-loss songs that abound in buoyant musical assurance and well-honed craft.
Graham Coxon could have made his memoir Verse, Chorus, Monster! a Blur / Britpop tell-all, but he wraps up honest observations in a lovely, conversational tone.
The 1975 want to be funny in a foreign language, but on their fifth go-round, their ambitions are tempered in plain English.
The Verve launched Urban Hymns 25 years ago as “Bitter Sweet Symphony” became a song for the ages and the record became one of Britpop’s genuine masterpieces
The Shore’s Light Years boasts a seductive intimacy typically reserved for baroque pop, while still flexing its arena-rock Britpop swagger. Too bad nobody ever heard it.
This list makes clear that the music Blur recorded during the “Life” period is more diverse and daring than Britpop’s cartoon narrative would imply.
Supergrass’ In It for the Money has gone down in rock history as a Britpop classic, and it sounds fresh and gleaming to this day.
Just before CDs were about to get louder and louder still, Travis showed us just how softly they could record on a few of Good Feeling‘s best tracks.
Travis recently engaged in a video interview with producer Steve Lillywhite to discuss their rocking 1997 debut album ‘Good Feeling’.
Join us as we celebrate the 10 best Suede songs and their mastery of one of Britain’s great modern artistic traditions: the pop single.