The Shore’s Light Years boasts a seductive intimacy typically reserved for baroque pop, while still flexing its arena-rock Britpop swagger. Too bad nobody ever heard it.
This list makes clear that the music Blur recorded during the “Life” period is more diverse and daring than Britpop’s cartoon narrative would imply.
Supergrass’ In It for the Money has gone down in rock history as a Britpop classic, and it sounds fresh and gleaming to this day.
Just before CDs were about to get louder and louder still, Travis showed us just how softly they could record on a few of Good Feeling‘s best tracks.
Travis recently engaged in a video interview with producer Steve Lillywhite to discuss their rocking 1997 debut album ‘Good Feeling’.
Join us as we celebrate the 10 best Suede songs and their mastery of one of Britain’s great modern artistic traditions: the pop single.
For their ninth album, 10 Songs, Scotland's Travis go back to basics.
Yachtclub101's "Leave Me Alone" sparkles with glorious pop melodies, bubbly synths, infectious dance beats, sing-along choruses, and cats.
Featuring a litany of otherwise-forgotten budget bin purchases, Martin Green's two-disc overview of coulda-been Britpop contenders knows little of genre confines, making for a fun historical detour if nothing else.
Not even a "deluxe" version of Between 10th and 11th from the Charlatans can quite set the record straight about the maligned-but-brilliant 1992 sophomore album.
Aussie Britpoppers the DMA's enlist Stuart Price to try their hand at electropop on The Glow. It's not their best look.
DMA'S lead-singer, Tommy O'Dell, discusses the band's new album The Glow, and talks about the dancier direction in their latest music.
