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Ash harnessed their teenage angst and energy and built a career on it, as you can hear on Teenage Wildlife, a career-spanning, hit-filled compilation album.

The Kooks' newest release Let's Go Sunshine offers an anthemic take on garage rock.

Charlatans frontman Tim Burgess did some recording with his "dream supergroup" in 2008, then forgot to release it until now. Better late than never.

Now that Ash are back to making albums, they made one where all the songs truly count.

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With nods from Cage the Elephant and Jimmy Page, Lucas' time in the sun is just around the corner as "Anne Marie" proves.

On their second album, For Now, Britpop revivalists from Down Under DMA's grow up too soon.

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The biggest problem with being a faded genius is that nothing he or she ever produces again can be analyzed, critiqued, or appreciated in a vacuum. It all comes in the wake of their prior transcendental music.

Paul Draper discusses a variety of topics from his early years in Liverpool to the acrimonious split of Mansun to his visit to the unofficial capital of all things extraterrestrial.

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Oasis' Morning Glory still holds up, which can be attributed to the fact that albums with this level of cultural clout and collective popularity tend to help define the sounds of their era.

You might not be getting very much bang for your buck here, but the kindest thing you can say about this disc is that there's not a bad track in the bunch.

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In my mind my dreams are real. Are you concerned about the way I feel about the 105th most acclaimed album of all time? Too bad, because tonight I'm a rock 'n' roll star. Oasis’ 1994 debut is next.

Some have marked this as a career best for the View, but it’s hard to shake the feeling that it has all come too late.

Don't put your life in the hands of a rock 'n' roll band -- even if it did record the 87th Most Acclaimed Album of All Time. Oasis' Britpop colossus is next on Counterbalance.

This is how the world ends; not with an ecstatic electro-bang but with a fuzz-bass Britpop whimper.

Vinyl Floor, a trio from Copenhagen, tinker with structure, format, and narrative on this concept record. Touching on the transition from Utopia to Dystopia, they ultimately explore how that can become cyclical.

On its sophomore album, New Cassettes outfits its slick emo pop and Britpop with post-punk affectations. It's almost enough to make you overlook some lyrical incoherence.

"Gritpop" revivalists Viva Brother have been marked for death by the UK pop establishment. But worst British album of the year, really?

In the '90s, many were bigger, but few were better than Suede at their best, led by the dynamic duo of "glamly androgynous Dickensian whippet" Brett Anderson and "Danger High Voltage" whirlwind guitarist Bernard Butler. Just don't call 'em Britpop.

This album is made up of tracks from the band’s previous two European-only releases, tailor made for an American audience. And it is a stunner.

Members of British pop/rock mainstays Keane take a break and decide to record a country album. What we get is mainly folk with hints of Britpop.

Removed from the overexcited hyperbole that heralded its arrival on the music scene, the band that kick-started the Britpop movement in the 1990s presents a new best-of compliation that does in fact compile its choice material while also indulging in its excesses.

After 20 years of solid and dependable releases, Birmingham's Ocean Colour Scene have survived the Britpop era with flair, and pack their latest disc with good-time party jams that are guaranteed to keep you moving.