The lasting, overall impression of Why Me? Why Not. is Liam Gallagher discovering a belief in himself as an artist rather than simply as a singer in a rock 'n' roll band.
The Kooks' newest release Let's Go Sunshine offers an anthemic take on garage rock.
Charlatans frontman Tim Burgess did some recording with his "dream supergroup" in 2008, then forgot to release it until now. Better late than never.
Now that Ash are back to making albums, they made one where all the songs truly count.
Spacehog's Royston Langdon returns with a new guise and observations on isolation and the role of the artist with his new track "What Became of the People".
With nods from Cage the Elephant and Jimmy Page, Lucas' time in the sun is just around the corner as "Anne Marie" proves.
On their second album, For Now, Britpop revivalists from Down Under DMA's grow up too soon.
Los Angeles band with a predilection for English sounds, Dear Boy, gets visual ahead of a tour with Rogue Wave.
The biggest problem with being a faded genius is that nothing he or she ever produces again can be analyzed, critiqued, or appreciated in a vacuum. It all comes in the wake of their prior transcendental music.
Paul Draper discusses a variety of topics from his early years in Liverpool to the acrimonious split of Mansun to his visit to the unofficial capital of all things extraterrestrial.
The Jacks' "Hello My Friend" is Britpop with added Californian sunshine.
Noel Gallagher's third solo release after Oasis is a marked shift from previous outings, delivering a desire for experimentation that demonstrates his continued relevance as musician, songwriter, and performer.
Too prolific an artist to pin down, still, it's not hard to wish that this book about each and every one of Paul Weller's solo albums could have been more engaging.
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