Bruce Willis, The Rock, explosions, comedy and action help this popcorn sequel rise above its more Sci-Fi predecessor, but even fans caught up in the action will occasionally find this live action film to be just a bit too cartoonish.
In storytelling, the past dictates the future. Plots are laid out like traps that our heroes inevitably fall into. And we, watching Bruce Willis in Looper, or reading of Dream in The Sandman, are thus fated, as well.
The flamboyant queen is the black sheep of the LGBT 'family'. Cross the line into full drag, and the family declares you to be fabulous; just be a bit swishy with a propensity to wear scarves and a touch of make-up, and you're open game for ridicule, ostracism, and violence.
The Die Hard series is a true rollercoaster of visual excesses guaranteed to raise the viewer’s adrenaline levels – while invoking intriguing ideological and cultural subtexts that deal with race, gender, masculinity, and social anxieties.
It’s not so much the endless heavy-handed clues, outmoded dialogue, or totally untrustworthy traits of the main characters that make the movie so unforgivable; it’s the purposeless ending that eschews all previous traits, dialogue, and clues.
Apparently, as the sun's strongest rays finally settle over the movie going public, sequels are the remedy to cool down an overheated demographic. This month alone holds five examples of such redux refreshment. The rest of the choices are a variety pack of genres, ideas and possibilities.