In this excerpt from Jonathan Leal’s study of Black American jazz, Dreams in Double Time, bebop gives the music a “new accent” and the outsider citizenry a “new language” for counter-punching rebellion.
In this excerpt from The Media Swirl, Carol Vernallis peers through the glitter of the stunning party scene in Baz Luhrmann’s The Great Gatsby and exams its sparkling layers of meaning.
Homosexuality drove experimental band Coil’s creativity, yet they rejected the demand that they either embrace performative homosexuality or remain discreet and closeted.
In this excerpt from Bob Stanley’s history of pop music, Let’s Do It, the music and stories of iconic singers Judy Garland and Billie Holiday are forever intertwined.
Tom Waits splashes about in his “puddle of consciousness”, testing Michael Goldberg’s sense of humor in this interview excerpted from Goldberg’s new book, Addicted to Noise.
Happy 40th anniversary to Tom Petty’s Long After Dark album, an underrated manual for creatives in existential crisis. Enjoy this excerpt from Straight Into Darkness: Tom Petty as Rock Mystic.
In this excerpt of British punk history book, ‘No Machos or Pop Stars’, the Mekons, Gang of Four, and Delta 5 put their anti-hierarchical, anti-capitalist, feminist theory to the test.
In this excerpt of ‘Queer Country’, Chely Wright, Mary Gauthier, Brandi Carlile, and Amy Ray share the battles they’ve fought to make country music recognize its lesbian artists.
In this excerpt of Mark R. Villegas’ Manifest Technique, we vibe with ISP’s avant-garde turntablism spinning Filipino alienation.
In this excerpt from Thompson’s I Feel Love, which explores the far-reaching influence of song and singer, the disco groove moves Brian Eno and Giorgio Moroder.
So you think you know the difference between right and wrong? Sure about that? Juan Enriquez's Right/Wrong, excerpted here courtesy of MIT Press, might shake you loose from your convictions.