‘Being and Neonness’, Capitalism and Creativity
If neon was an icon of mid-century capitalism as Luis de Miranda puts forth in Being and Neonness, what does it represent in our period of late capitalism?
If neon was an icon of mid-century capitalism as Luis de Miranda puts forth in Being and Neonness, what does it represent in our period of late capitalism?
I've sworn, after learning about the latest kleptocrat billionaire to buy a club, or scrambling from the clash between hooligans and riot police, or hearing a homophobic chant rise up from the stands, I would give up on the game. Anyone with sense would.
When order ruptures it leads to a state of crisis manifest in many ways, as we see emerging throughout the world. What can we do?
Socialists need to do better in fighting against identity-based discrimination, as editor of Jacobin Bhaskar Sunkara notes in The Socialist Manifesto, but that struggle will only be effective if waged as part of a larger struggle against neoliberal capitalism.
With Aquinas and the Market, economist and theologian Mary L. Hirschfeld begins a necessary conversation between economic and theological sectors, in the academy and, one hopes, outside the ivory towers and seminaries, to calculate our ultimate worth.
Lino Brocka's Manila in the Claws of Light seethes with rage against colonial oppression without ever becoming overt agitprop.
Diamantino's astounding surrealistic introduction soon unfolds into an ethereal genre-mashup.
Yanis Varoufakis treats with disdain the idea that economics is a real science – it's more like a contemporary form of religion, propped up by ruling elites to make gullible everyday people remain subservient and go along with the elites' bad and self-serving ideas, he says.
'Creativity' in today's corporate speak requires a familiarity with the popular culture that's admired by the white and the well-to-do. It has nothing to do with actual creativity.
Flamboyance and bombast prove to be Generation Wealth's most common thread, which serves as an upsetting indictment of the American Way.
In a competitive sea of superhero films, Logan continues to stand out with its tremendous performances, thematic complexity, remarkably critical take on violence, and deeply stirring pathos.