Theoretically an adventure film about saving the culture of the Western World from rampaging Nazi philistines, George Clooney's first serious misstep as a director is somehow both painfully serious and trite.
Unlike previous years, where classics came crawling out of the celluloid woodwork with regular reckless abandon, 2008 was more calm… and considered. That's not to say that choosing 30 top titles was hard. The difficulty in placing them in some manner of rank order suggests the actual depth of quality involved.
Oddly enough, while the major studios continue scratching their heads over how to sell yet another new format (Blu-ray) to disinterested consumers, several outside distributors made sure that this would be a digital year to remember.
Like comedy or music, one's choice in cinematic pleasure can be very personal - and very peculiar. Take this tantalizing list of shameful indulgences. You can argue over their artistic value, but their individuals rewards definitely speak to those who champion them.
It's an inelegant but provocative means to measure Benjamin and Daisy's ostensibly transcendent connection: as he grows young and she grows old, they share but a single moment when their bodies and visions and hopes can easily coincide.
In the first act of this four-part production, Tinsel Town decides to do some unbelievable front loading. Will there be room for independent offerings, or former HBO carnal comedy divas? Who knows? Without a doubt, it's an interesting way to start the season.
From Julian Schnabel's artsy The Diving Bell and the Butterfly to the legendary Coen Brothers splendid adaptation of Cormac McCarthy's No Country for Old Men, PopMatters counts down the 30 best films of 2007.
With a movie that encompasses international relations, broken families, personal epiphanies, romantic longings, painful secrets, and our constant aching need for human connection, Iñárritu might have bitten off more than he could chew.
Associated by instances of violence, the stories in Babel all concern children caught up in circumstances beyond their easy comprehension, while adults struggle to maintain some semblance of illusory order.
Heaven begins with assorted ascents. Written by the late Krzysztof Kieslowski (with Krzysztof Piesiewicz), and intended as part of a trilogy (Heaven, Hell, and Purgatory), it explores accident and fate, guilt and grief, time and truth.