GADADU’s music has always been a balm for the dreariness and anxiety inherent in everyday life. With The Weatherman Is Wrong, they continue to confound and fascinate.
Michael Hadreas of Perfume Genius delivers his most experimental, wandering, and gorgeously unkempt album to date with Ugly Season.
Icelandic musician extraordinaire Björk finds a new outlet for artistic expression with a series of “body exploding” “unplugged”, orchestral performances.
Creating their most conceptual, theatrical work, Florence + the Machine air out their lockdown grievances and ugly feelings by reminding us all to dance it out.
The Beach Boys’ Pet Sounds is not a racist text, but its impact was racist because it further encoded rock as a white genre, perpetuating the institutionalized prejudice that relegated African Americans to the margins of rock.
On Belle and Sebastian’s first album in seven years, A Bit of Previous, the cozy Glaswegians prioritize candor and retain a bit of their previous magic.
Perfume Genius’ 2012 album Put Your Back N 2 It offers a bleak yet comforting unpacking of sexual identity, addiction, physical abuse, and family trauma.
Beach House are always tinkering around the edges of their sonic universe, getting darker, weirder, subtler, and more expansive. They do that on Once Twice Melody, and the payoff is enormous.
Kate Bush’s 50 Words For Snow is a jazzy wonderland of mystical creatures and fleeting romance with nuanced themes of impermanence and ephemeral love.
Belle and Sebastian’s 1996 showpiece If You’re Feeling Sinister balanced poignance and exuberance with its character-driven stories and became an indie-pop classic.
This might not be so far away from a best-of list of all Belle and Sebastian songs, considering how these tracks show the breadth of the group’s styles and moods.
Tori Amos’ Ocean to Ocean is a cohesive collection of songs that expertly articulates and finds meaning in the deepest recesses of despair.