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Power and Misogyny in 'Red Sparrow'

Red Sparrow isn't a great spy thriller, but it's a fascinating take on women fighting for control over their own bodies.

Film

Hecker: A Script for Machine Synthesis

Hecker presents a dissertation told as much through the way it makes the listener feel as what it tells the listener to think.

Music

In '45 Years' the Quiet Speaks Volumes

A film this quiet and understated needs every element to work in subtle harmony, and Haigh's work has 45 Years humming with dignified vitality.

Film

We Suffer for Love, Love Is Suffering: 'The Night Porter'

Liliana Cavani's jarring and morally gray exploration of fascist power dynamics reminds us that just as we go through hell to get to love, love can itself be hell.

Reviews

Pretty Vacant

The world of The Duchess should have been one of fiery tumult, but little of that foment makes it into this film’s garden party landscape.

Film

The Duchess

The movie, which surely celebrates Georgiana's (Keira Knightley) luxurious "hats and dresses," also solicits your sympathetic frustration and outrage over her oppression.

Reviews

Talk, Talk, Talk: September 2008

From wars both past and present to a number of nail-biting thrillers, September is sizing up as a potentially profitable one.

Film

Babylon A.D.

The fact that Aurora incarnates some extreme other possibility -- be it "light" or darkness, miraculous birth or genocide -- makes her one more "mother of the future."

Reviews

The Return of the Popcorn Circus: August 2008

Talk about a crowded schedule. There are more offerings scheduled this month than in the previous two combined.

Features

Paul Newman's Influential, Classic Performances in The Hustler and The Verdict

In an era of relatively reserved American cinema, when most actors would be concerned with their images as leading men, Newman was not afraid to experiment and go with his artistic impulses.

Matt Mazur

Film

Heading South (Vers le sud) (2005)

With their newfound sexual empowerment gradually eroded by disillusionment, the women are finally predictable.

Jon Frosch

Film

I'll Sleep When I'm Dead (2003)

For all the inevitability of Will's descent, I'll Sleep When I'm Dead is an almost perversely moving experience.

Cynthia Fuchs

Reviews

Orca (1977)

This whale also has special powers, apparently, as he can tell whenever someone is leaning out of Nolan's boat, and so jump right up and swallow him whole.

Erich Kuersten

Reviews

Pop Ten

The 25 Best Classic Progressive Rock Albums

The 100 Greatest Alternative Singles of the '80s: Part 1: 100 - 81

Josh Trank's Comic Book Film 'Fantastic Four' Could Have Been a Kitschy Splendor

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Mixed Media

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Red Sparrow isn't a great spy thriller, but it's a fascinating take on women fighting for control over their own bodies.

Hecker presents a dissertation told as much through the way it makes the listener feel as what it tells the listener to think.

A film this quiet and understated needs every element to work in subtle harmony, and Haigh's work has 45 Years humming with dignified vitality.

Liliana Cavani's jarring and morally gray exploration of fascist power dynamics reminds us that just as we go through hell to get to love, love can itself be hell.

The world of The Duchess should have been one of fiery tumult, but little of that foment makes it into this film’s garden party landscape.

The movie, which surely celebrates Georgiana's (Keira Knightley) luxurious "hats and dresses," also solicits your sympathetic frustration and outrage over her oppression.

From wars both past and present to a number of nail-biting thrillers, September is sizing up as a potentially profitable one.

The fact that Aurora incarnates some extreme other possibility -- be it "light" or darkness, miraculous birth or genocide -- makes her one more "mother of the future."

Talk about a crowded schedule. There are more offerings scheduled this month than in the previous two combined.

In an era of relatively reserved American cinema, when most actors would be concerned with their images as leading men, Newman was not afraid to experiment and go with his artistic impulses.

With their newfound sexual empowerment gradually eroded by disillusionment, the women are finally predictable.

As in the first film, this premise -- that Catherine's plot is a series of lies -- is mildly interesting.

For all the inevitability of Will's descent, I'll Sleep When I'm Dead is an almost perversely moving experience.

This whale also has special powers, apparently, as he can tell whenever someone is leaning out of Nolan's boat, and so jump right up and swallow him whole.