Mathieu Demy's story of a son's globe-trotting journey to settle his dead mother's affairs is filled with references to the films of his parents, even quoting extensively from Agnès Varda's Documenteur.
With many indie/international films receiving more and more mainstream approval from unfamiliar audiences, many of the titles here could be considered part of the overall 2008 Best Of. But their individuality and multicultural appeal keep them a quality concept apart.
Like the gladiators of old, 2008 resembles a battle of formidable acting gods, especially when looking over the 20 choices presented below. Indeed, if anything, choosing a winner requires more of a leap of faith than any amount of critical skill - they all were that good.
Twenty talented ladies, 20 performances worthy of multiple little gold men. Unfortunately, as in all years, someone has to come out on top. But after looking over this impressive list, picking the preeminent turn of 2008 seems almost impossible.
Oddly enough, while the major studios continue scratching their heads over how to sell yet another new format (Blu-ray) to disinterested consumers, several outside distributors made sure that this would be a digital year to remember.
In the moody House of the Sleeping Beauties, an aging widower fights despair with a succession of naked beauties, while in the sprawling A Christmas Tale, a family bickers around their mother’s terminal illness.
From Julian Schnabel's artsy The Diving Bell and the Butterfly to the legendary Coen Brothers splendid adaptation of Cormac McCarthy's No Country for Old Men, PopMatters counts down the 30 best films of 2007.
Personal and political history is delivered with a sharp mix of comedy and tragedy (Marjane lies in bed, the "camera" hovering overhead as she declares herself a communist after learning her grandfather was jailed for same).