Originally a story about the perils of combating organised crime, The Dark Knight makes several radical departures that frequently result in the main characters being split among tonally disparate contexts whose relevance to each other is not always immediately evident.
A scene shows Ryder blissfully tying up the manuscript and putting a rose under the string. That's rather like what Armstrong and the screenwriters did to the film: tied it up neatly with a pretty flower.
There can be no doubt that the summer of 2008 stands as a high-water mark for superheroes. But in the wake of a superhero renaissance and the growing cultural legitimacy of the genre, the question must be posed: Has the superhero genre evolved beyond the comics medium?
Unlike previous years, where classics came crawling out of the celluloid woodwork with regular reckless abandon, 2008 was more calm… and considered. That's not to say that choosing 30 top titles was hard. The difficulty in placing them in some manner of rank order suggests the actual depth of quality involved.
Like the gladiators of old, 2008 resembles a battle of formidable acting gods, especially when looking over the 20 choices presented below. Indeed, if anything, choosing a winner requires more of a leap of faith than any amount of critical skill - they all were that good.
Oddly enough, while the major studios continue scratching their heads over how to sell yet another new format (Blu-ray) to disinterested consumers, several outside distributors made sure that this would be a digital year to remember.
Without a couple of recognizably fallible and ordinary men like Harvey Dent and Commissioner Gordon at its center, The Dark Knight would ultimately be nothing more than an exceptionally well-tooled and smartly-acted thriller.