True/False Film Fest: ‘Grace Jones: Bloodlight and Bami’
Director Sophie Fiennes mixes concert film with arresting cinéma vérité family portrait.
Director Sophie Fiennes mixes concert film with arresting cinéma vérité family portrait.
The African "dialogues" with Western culture, as twisted here to suit the purposes of those exposed to it, reflects the wider idea of "dialectics" between filmmakers and subjects.
With all of their differences, the insistence that we are moved is integral to the cinematic enterprises of both Jean Rouch and Robert Drew.
Director Jonathan Olshefski has made a stirring call for the placement of low-income, inner-city families into our collective consciousness.