Harry Styles demonstrates his genuine affinity for modern pop with Harry’s House, as he stands out amidst a collection of pandemic-influenced bedroom offerings.
Somehow, Arcade Fire have created an album that’s one half an exciting return to form and the other a continuation of their worst impulses with WE.
Adele’s 30 is an impeccable album with a strong set of songs. But its impact will feel somewhat diminished because we’re getting a very familiar Adele.
Manic Street Preachers’ The Ultra Vivid Lament is as rich, melancholic, and intelligent as ever, but also riddled with doubts and anxieties.
Gaslighter is bold and incendiary, finding the Chicks reclaiming their relevance. Thankfully, the Chicks reject silencing as Gaslighter reestablishes their penchant for vocalizing raw truths.
On Women in Music Pt. III, HAIM are done pretending and ready to be themselves. By learning to embrace the power in their weakest points, the group have created their best work to date.
Bob Dylan's first album of original material since 2012, Rough and Rowdy Ways, is a suitably grim, brilliant collection of ten songs for our dark times.
The implication of Bob Dylan's "Murder Most Foul", expressed with an understated passion, is that in 2020, it may not be just the music or even the president that has died.
Madeon shot to fame as a teenager as a new dance music hero, then withdrew from the world as he battled with his emotions. Now, with his thoughtful sophomore album, Madeon is back with an evolved sound and a new outlook, ready to connect with people like never before.
On his first solo album in eight years, Raphael Saadiq proves the power of the personal narrative by placing personal tragedies in heartbreaking context.