Harry Styles Invites Us Into ‘Harry’s House’
Harry Styles demonstrates his genuine affinity for modern pop with Harry’s House, as he stands out amidst a collection of pandemic-influenced bedroom offerings.
columbia records
Arcade Fire’s ‘WE’ Takes the Idea of Hit and Miss to Extremes
Somehow, Arcade Fire have created an album that’s one half an exciting return to form and the other a continuation of their worst impulses with WE.
Adele Needs No Comeback on ’30’
Adele’s new music is far more personal in a way that separates her experiences enough from the public consciousness to provide some much-needed distance.
Adele Returns for More Heartbreak with the Melancholic ’30’
Adele’s 30 is an impeccable album with a strong set of songs. But its impact will feel somewhat diminished because we’re getting a very familiar Adele.
Manic Street Preachers Reckon with an Uncertain World on ‘The Ultra Vivid Lament’
Manic Street Preachers’ The Ultra Vivid Lament is as rich, melancholic, and intelligent as ever, but also riddled with doubts and anxieties.
The Chicks Boldly Reclaim Their Relevance on ‘Gaslighter’
Gaslighter is bold and incendiary, finding the Chicks reclaiming their relevance. Thankfully, the Chicks reject silencing as Gaslighter reestablishes their penchant for vocalizing raw truths.
HAIM Create Their Best Album with ‘Women in Music Pt. III’
On Women in Music Pt. III, HAIM are done pretending and ready to be themselves. By learning to embrace the power in their weakest points, the group have created their best work to date.
On Bob Dylan’s ‘Rough and Rowdy Ways’ Everything Old Is New Again, Again
Bob Dylan's first album of original material since 2012, Rough and Rowdy Ways, is a suitably grim, brilliant collection of ten songs for our dark times.
Bob Dylan Says It All on ‘Rough and Rowdy Ways’
Bob Dylan returns as prophet, historian, and joker on his latest album, Rough and Rowdy Ways, an unending puzzle with rich content.
Is ‘Murder Most Foul’ Dylan’s State of the Union Address?
The implication of Bob Dylan's "Murder Most Foul", expressed with an understated passion, is that in 2020, it may not be just the music or even the president that has died.
No Fear No More: An Interview with Madeon
Madeon shot to fame as a teenager as a new dance music hero, then withdrew from the world as he battled with his emotions. Now, with his thoughtful sophomore album, Madeon is back with an evolved sound and a new outlook, ready to connect with people like never before.
‘Jimmy Lee’ Shows Why Raphael Saadiq Is One of the Most Compelling Voices in Modern Soul
On his first solo album in eight years, Raphael Saadiq proves the power of the personal narrative by placing personal tragedies in heartbreaking context.
