
Gorillaz at 25 Are a Cultural Force for the Good
Assuming personal stability is necessary for collective betterment, it’s high time that Gorillaz share their newest, loving, bizarre journey with the rest of the world.

Assuming personal stability is necessary for collective betterment, it’s high time that Gorillaz share their newest, loving, bizarre journey with the rest of the world.

The Illuminist: Philosophical Explorations in the Work of Alan Moore investigates the convictions and contradictions of the Great American (Graphic) Novel writer who is neither American nor a novelist.
Published in 2015, comics series We Stand on Guard speculates a near-future war between the US and Canada.
PopMatters Best Books of 2024 include a broad range of nonfiction, many books on music, short fiction, a novel that turns a Mark Twain classic inside out, and much more.
Ostensibly a meditation on Greek mythology, I found more parallels with Islamic eschatology in Anders Nilsen’s sprawling graphic novel think piece, Tongues.
Today’s Asian American pop culture stands on the shoulders of Giant Robot, a beloved zine that published an eclectic mix of artists and subjects.
Aminder Dhaliwal’s A Witch’s Guide to Burning shows the follies of our toxic relationship with overwork and how to break its spell.
Chuck D’s style in his three-volume, Covid-era graphic novel STEWdio can be described as neo-expressionistic with images and text often intertwined like Jean-Michael Basquiat’s art.
Aquaman can be read as an allegory that responds to the climate change crisis, an era in which the oceans have become sites of warfare and mass death.
Marvel Studios’ What If…? on Disney+ is an intriguing animated and narrative exercise in the MCU, but why isn’t it as exciting as we anticipated?
French artist Jean Giraud, aka Moebius, inspired his peers and mass media. In video games especially, his psychedelic fantasy/surrealist art may live on forever.

Marx’s death pact is made literal in Sarah Gailey’s Eat the Rich, a remarkably fun comics series given its subject is the horror of capitalism.