Many fantasy writers have incorporated the visual footprint of the Third Reich into their fictional worlds. Few, however, have done so as extensively as the creator of Attack on Titan, who revisited this terrible chapter of history not to find inspiration for a fearsome antagonist, but to excavate the divisive ideas that lay buried there.
For all the Charlie Browns in the world, Library of America has published The Peanuts Papers: Writers and Cartoonists on Charlie Brown, Snoopy & the Gang, and the Meaning of Life.
Horizontal Collaboration, the superb French comic by Navie and Carole Maurel, reassesses the sexist biases of history.
In The Man Without Talent, Tadao Tsuge captures the element of fantasy reflected in the childish utopianism of free market capitalism and the committed entrepreneurs who are its happy-go-lucky evangelists.
Not all entries in Best American Comics 2019 will go down easily. Some might be undercooked. Some left too long on the fire. But the strongest will satisfy for a long time.
Travis Dandro's King of King Court is an excellent reminder of how evocatively effective comics are in the hands of a skilled memoirist.
Inés Estrada's disturbingly plausible imagination effectively beams Alienation's dystopic future into readers' heads via the antiquated analog technology of ink and paper.
Seth's inspiration for the epic story, Clyde Fans, grew from an empty storefront and photographs of two middle-aged men; thus it is imbued with palpable sadness and regret.
In both The Avengers: Endgame and Game of Thrones, the key conflicts are not between good and evil, as one might think, but between the beginnings and endings of their stories.
Within the 26 hard-to-find episodes of Vampire Princess Miyu, there are murders, suicide, and even murder-suicides. There really is something for everyone. So why did it fail?
Taking Superheroes Seriously: Three Implications for Society Based on Travis Smith's 'Superhero Ethics'
How do we move from the tribal shouting to a more humane discourse with one another? Travis Smith's Superhero Ethics finds surprising solutions in the world of conflicting superheroes.
There's a pleasant "off-ness" about the not really reality within reality of James Sturms' graphic fiction, Off Season.
Danish artist Rikke Villadsen appears to be spinning a circular tale-within-a-tale with no origin or end points and only tragic escapes in his graphic fiction work, The Sea.
While dimension-deforming environments are normal in cartoon worlds, few wander as far to the edge of pure abstraction—let alone cross it -- as Michael DeForge does in Brat.
Nathan Gelgud's image-within-an-image work in his latest, A House in the Jungle, echoes a larger world-within-a-world meta-context.
This year's collection includes many independent and self-published artists; no mainstream or superhero comic in sight.
Mere mediocrity on the part of the superhero sidekicks doesn't seem a high enough bar for inclusion in a tome such as The League of Regrettable Sidekicks.
Many of Jon Morris's characters in The League of Regrettable Sidekicks are proven to be a reflection of their times not only culturally but in terms of the evolution of the genre, as well.
This anthology will remind you how much you are missing if you confine your interests to only the big-named comics creators.
As we learn in this interview, when Jason Lutes began drawing the Berlin series in the '90s, he had no idea his own country would be facing the threat of fascism, again, by the time he completed it.
Aaron Kashtan's Between Pen and Pixel is a deep exploration into your father's comics, your comics, and the future of comics.