Texas singer-songwriter Will Beeley drifted away from making music, but he's back to tell stories on Highways & Heart Attacks, his first album in 40 years.
Americana duo Bruce Robison and Kelly Willis capture the sound of classic country music from the past and make it part of the here and now on Beautiful Lie.
Willie Nelson's Ride Me Back Home continues a hot streak of recent records that are every bit as good as anything he's recorded. And, yes, that includes Red-Headed Stranger and Stardust.
The first full-length solo album from former Houndmouth keyboardist/vocalist Katie Toupin is a giant leap forward thanks to an eclectic style and top-shelf songwriting.
Eilen Jewell talks about her new single, new album, and politics. The more they try to shut me up and say, 'Just sing your songs, I don't want to hear about your politics,' the more I think, 'Well, I guess I should include my politics in more songs.' Whenever somebody tells me I can't do something, that's what I become interested in doing."
MacArthur genius grant winner Rhiannon Giddens' new album, there is no Other, invites us to do more than share our misery. It asks us to see ourselves as part of something bigger.
Justin Townes Earle's songs on The Saint of Lost Causes all have a feel that is timeless and reverential of the past, while still moving forward along the twisted turns of America.
If you didn't know our current era was rife with referential genre stylings used in pursuit of a genre-less pop sensibility, listen to Faye Webster's Atlanta Millionaires Club.
Texas duo Little Mazarn cross streams ranging from folk, American primitive music, and ambient sounds to classic country. Today, we share the stream of the band's new album IO.
