
Emmylou Harris Live Reissue Yields Welcome Discoveries
One of Emmylou Harris’s most unusual releases, Spyboy expands her catalog, offering many revelatory glimpses into a unique facet of her artistry.

One of Emmylou Harris’s most unusual releases, Spyboy expands her catalog, offering many revelatory glimpses into a unique facet of her artistry.

Alt-country’s Boy Golden duets with newcomer Cat Clyde in the search for the meaning of love.

Jewish immigrants music-saturated synagogues and rich theater, flavored with humor and lament, were a magical formula for the birth of the American Songbook.

Is this folk or is this country music? Terry Klein doesn’t choose as much as he shows the connections between the two. Suffice it to say, this is Texas music.

William Prince’s mix of character studies and thoughtful meditations combines for an album with staying power. Further From the Country looks at change and distance.

Americana’s Caitlin Canty is sharpening her skills and continuing to build a body of work that reflects resilience, quiet strength, and resolute honesty.

If you were to stumble into a pub somewhere in Wales late on a rainy evening, Robert Plant’s Saving Grace is precisely what you’d want to hear.

Lindsay Ell was chosen as one of the “Next Women in Country” in 2014, but she has other ambitions and questions to explore after making her new EP.

Woody Guthrie didn’t care about sounding pretty; he knew he had a voice, and he would use it to make the world a better place for everyone.

With her own deep roots in music, Grey DeLisle recognizes the significance of Cindy Walker’s legacy as a pioneering country music auteur.

Dylan Earl needs a friend or more friends or even a lover, but he seems like the character one’s parents warned about. He may waste your time, but he would be a good pal.

Molly Tuttle, hot off a significant Grammy nomination, pivots her sound into a lovely country pop new direction and tells PopMatters all about it.