Plucking chords with steel-tipped determination, Buffalo Nichols brandishes his songs with the worn sentimentality that has had many scarred souls in lonely bars crying into their beers.
Colin Linden’s latest single has a down and dirty vibe thanks to greasy slide guitar licks and lyrics about living in the street and hiding from the heat.
Americana singer-songwriter, Tim Easton’s You Don’t Really Know Me is a pensive and reflective album, but it’s also peaceful and positive.
Oliver Wood stretches out on his own with Always Smilin’. Wood Brothers fans will find this album sustaining them until the next release.
Jimbo Mathus and Andrew Bird’s songs sound like they could have been recorded more than 100 years ago or just yesterday.
Able to write and sing the blues, gospel, folk, rock and alt-country with the same amount of true grit and passion, Lucinda Williams comes out swinging while discussing her explosive new album during these troubled times.
On her new searing album, Good Souls Better Angels, Lucinda Williams rages against the darkness of our era and seeks the strength to get through it.
The songs on Rory Block's Prove It on Me express the strength of female artists despite their circumstances as second class citizens in both the musical world and larger American society.
Ahead of the 1 November release of new album Onward, Texas country artist Stoney LaRue shares the gospel-tinged "Evil Angel".
After an accident that could have ended his career, folk blues artist Charlie Parr recovered and recorded an album comprised largely of older tunes. It marks a particular moment in the musician's life and his belief that songs never die.
The Reverend Peyton's Big Damn Band deliver a hand-clapping, foot-stomping hymnal with "You Can't Steal My Shine".
