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Unleashing the power of love with a new single and music video premiere, Natalie Schlabs is hoping to spread the word while letting her striking voice be heard ahead of Don't Look Too Close, the full-length album she will release in October.
Bobbie Gentry's The Delta Sweete has been hailed as a lost and unjustly ignored masterpiece. Now it's finally being reissued after more than 50 years with ten bonus cuts.
Pop hooks and positivity abound on new single from Nashville singer-songwriter Treva Blomquist. "This song is a call to listen to your heart."
Gaslighter is bold and incendiary, finding the Chicks reclaiming their relevance. Thankfully, the Chicks reject silencing as Gaslighter reestablishes their penchant for vocalizing raw truths.
Country artist Willie Jones' "Trainwreck" is an accessible summertime breakup tune that coolly meshes elements of the genre's past, present, and future.
Country music's Sara Evans knows the music business remains a perilous journey after navigating some rough roads to success, but she's speaking frankly while enjoying a wild, unpredictable ride with her first solo studio album in three years.
Australian pop/country artist Imogen Clark displays strength, determination to live beyond personal pain via the new single, "Found Me".
The synthesis of the past, present, and future was so much of what country music was about in 2010. Country was still fairly male-dominated in the era, although the changing winds, wherein women would create the most forward-looking music, were already beginning to blow.
Katie Crutchfield's latest as Waxahatchee is a high point in an already impressive career. Saint Cloud finds an artist operating at the top of her game to produce a thrilling and inspirational work.
"Gaslighter" works as an enthusiastic anthem to mark Dixie Chicks' return. The song is full of infectious pop hooks delivered loudly with a smile and a sneer.
On her first album in over a decade, Mandy Moore reclaims her voice and delivers an intimate portrait of adulthood with Silver Landings.
Kesha's fourth album, High Road, struggles to find something interesting about her new flask-toting flower child persona.
Country-pop's Laura Oakes takes us into the all-too-familiar world of family dysfunction with her tongue-in-cheek new single, "Welcome to the Family".
The HawtThorns successfully shine-up classic country music with sumptuous harmonies and innovative instrumentation on Morning Sun.
Country music superstar Vince Gill talks about his new folky album Okie, how his family provides his inspiration, and staying humble after having played a college campus show with only four people in the audience.
Can a '90s baby who went from country "Girl" to leader of "The Middle" class win over a sellout crowd during her first headlining performance in Denver? Yes, Maren Morris can.
Carrie Underwood mostly sticks to her comfort zone on Cry Pretty, but she steps ever so lightly outside it in an uneven album.
Playing through heartbreak, the young New Zealander makes bold new sounds in modern country music on his second release.
Long eclipsed by the works of many country contemporaries, Kris Kristofferson and Rita Coolidge's first album, Full Moon, gets a new look.