
Ichi the Killer’s Scar Couture
Ichi the Killer transcends gangster archetypes, becoming a model of how agony can be elevated to art and self-destruction a powerful form of self-expression.

Ichi the Killer transcends gangster archetypes, becoming a model of how agony can be elevated to art and self-destruction a powerful form of self-expression.
These best TV shows you may have missed include a show that’s ludicrously funny, one filled with scattershot mayhem, one that’s brutal and macabre, and a surreal comedy.

Joker provides a keen understanding of the deleterious effects of American neoliberalism, which the authors dismantle in Send in the Clowns with a mordant deadpan wit.

Capitalism’s moral rot is tracked in three NYC films: from heroin dealers who risk arrest to insider traders who risk indictment to men in masks who risk nothing at all.

Yorgos Lanthimos’ Bugonia blends modernity and absurdity to create a sharp satire with a thriller’s pacing.
The stitches, the shadows, the skin and the other psychosexual tension and animalistic identities of Batman Returns.

Jafar Panahi’s Palme d’Or-winning revenge thriller, It Was Just an Accident, slices into memory and the desire for revenge with a double-edged knife.

Streets of Fire boldly rejects conventional genre boundaries, merging action, rock opera, MTV video, and neo-noir into an audacious and stylized urban myth that resonates globally.

In these two political thrillers from Henri Verneuil, neither is above faking out the viewer and both are obsessed with the architecture of the modern city.

Carlos Saura’s once censored Los Golfos exists in a purgatory between the relatively plot-less freedom of some neorealist films and the excesses of delinquent youth melodrama.

Crime drama Keep Quiet may seem abrupt and pared-back, but there’s confidence and depth in its study of inner peace amidst social turmoil.

With bustling filming and moments of hybrid musical lyricism, the Nasser-era Cairo Station is half neorealism and half noir melodrama.