‘John Wick: Chapter 4’ Goes Down Shooting
Despite an egregious running time and padded plot, the (maybe) conclusion to Keanu Reeves’ series, John Wick: Chapter 4, still serves up some of the original’s delightful weirdness.
Despite an egregious running time and padded plot, the (maybe) conclusion to Keanu Reeves’ series, John Wick: Chapter 4, still serves up some of the original’s delightful weirdness.
French true crime adaptation The Night of the 12th (La nuit du 12) is a response to the fraught relationship between men and women, and the detective as metaphor.
French New Wave director Jean-Denis Bonan is among the cursed and damned filmmakers – revered by a few, reviled by most. His formerly shunned A Woman Kills (1968) slips out of the shadowy margins and appears for modern viewers.
Taken within its lush Hollywood limitations, ‘Raw Wind in Eden’ remains a highly watchable and attractive melodrama that measures a certain depth in the tides of social evolution.
Themes of masquerades and flim-flam in the comedy thriller Gambit see Shirley MacLaine’s Nichole Chang giving Michael Caine’s Sir Harry Dean a much-needed lesson.
Scott Cooper’s The Pale Blue Eye has Edgar Allan Poe (Harry Melling) making an unconventional partner to Christian Bale’s 1830s sleuth.
Film noir from the 1950s The Unguarded Moment gives off cozy WASP-American TV vibes for its increasingly sinister and sick Technicolor world.
The television show Miss Sherlock bends and twists the conventional Japanese character into something that fills the world of Sherlock Holmes.
Remastered and on Blu-ray from Kino Lorber is William Dieterle’s The Turning Point, a noir film at the intersection of several crossroads in America’s early ’50s.
Director Santiago Mitre discusses how his fear for democracies worldwide motivated him to dramatise the Trial of the Juntas in the courtroom drama Argentina, 1985.
Frank Capra’s America is always on the edge of madness and nightmare. The deeper you dig into his Arsenic and Old Lace, the darker and queasier it becomes.
Denzel Washington’s voiceover in neo-noir Devil in a Blue Dress is an equal mix of deadpan charm and wide-eyed innocence, which textures and nuances his performance.