Shirley MacLaine Gives Michael Caine a Lesson in Comedy Thriller ‘Gambit’
Themes of masquerades and flim-flam in the comedy thriller Gambit see Shirley MacLaine’s Nichole Chang giving Michael Caine’s Sir Harry Dean a much-needed lesson.
Themes of masquerades and flim-flam in the comedy thriller Gambit see Shirley MacLaine’s Nichole Chang giving Michael Caine’s Sir Harry Dean a much-needed lesson.
Scott Cooper’s The Pale Blue Eye has Edgar Allan Poe (Harry Melling) making an unconventional partner to Christian Bale’s 1830s sleuth.
Film noir from the 1950s The Unguarded Moment gives off cozy WASP-American TV vibes for its increasingly sinister and sick Technicolor world.
The television show Miss Sherlock bends and twists the conventional Japanese character into something that fills the world of Sherlock Holmes.
Remastered and on Blu-ray from Kino Lorber is William Dieterle’s The Turning Point, a noir film at the intersection of several crossroads in America’s early ’50s.
Director Santiago Mitre discusses how his fear for democracies worldwide motivated him to dramatise the Trial of the Juntas in the courtroom drama Argentina, 1985.
Frank Capra’s America is always on the edge of madness and nightmare. The deeper you dig into his Arsenic and Old Lace, the darker and queasier it becomes.
Denzel Washington’s voiceover in neo-noir Devil in a Blue Dress is an equal mix of deadpan charm and wide-eyed innocence, which textures and nuances his performance.
Love in the Afternoon deserves credit for its artistic merit but also for serving as the beginning of a beautiful affair between Billy Wilder and I.A.L. Diamond.
On the surface, Evil has all the makings of traditional catholic horror, yet it continuously brings a unique perspective to one of the horror genre’s most well-trodden grounds.
Sammy Davis Jr. and Peter Lawford camp up their too cool for school ’60s spy hipsters personas for Richard Donner and Jerry Lewis comedies Salt and Pepper and One More Time.
Jigsaw‘s gritty tone flew in the face of commercial conventions and signaled, in the ’60s, that public discontents were coming for pop entertainment territory.