The root of hip-hop generation displeasure with The Cosby Show was not simply that the show wasn't 'political', but rather the show did in fact serve the political function of diverting attention away from the harsh realities of Reagan-era social policies.
Ain't nothin' wrong with cats payin' the bills with their art. But there's always a real cost associated with stayin' true to your art, when market demands suggest that there's more money available following trends.
Critical Noire -- Revolutionary Soul Singa: Meshell Ndegeocello -- Ndegeocello has never felt a need to defend or explain the supposed ambiguity that is so crucial to her music . . . an admittedly complex and creative articulation of what it means to be 'blackwomanbisexualbassplayersentientbeingGramscianintellectualandrevolutionarysoulsinger'.
As the post-9/11 politics of New York City threatens to force the city's "people" into small self-interested enclaves, the music of Masters at Work is an all too timely reminder of the common vision that the Nuyorican spirit has forged with some many of New York City's inhabitants.
. . . (T)o raise questions about black faculty who are 'intimidated' by gatekeepers within black institutions is to risk access to and influence within those very institutions. No politically astute black mainstream politician is willing to do that.
In my last two columns, I have come dangerously close to setting a trend in which I consistently attack the 'hick' culture. Not wanting to make enemies among people I don't hate, this time I'm turning the microscope on a general suburban blight of conspicuous consumption: the SUV.