Critic Mark Fisher never stooped to suckle the masses; nor did he fluff the pillows of academics. Colleagues Simon Reynolds and Darren Ambrose provide insight into Fisher's posthumous book, k-punk, and his intriguing legacy.
Our pop culture landscape is controlled by capitalistic saturation and a deeply-entrenched machismo ethic. It might not be powerful enough to erase Agnès Varda's genius, but it is shameless enough to eliminate her from the common discourse.
Jia Tolentino's first collection of essays, Trick Mirror, expertly navigates how the byproducts of capitalism and the Internet permeate culture, values, politics, and the daily lives of people worldwide.
As in the America of the 1970s -- with its political corruption, war, economic straits, and fatalism -- Robert Altman's Brewster McCloud resonates loudly in these times. Shall we join the circus freaks dancing on the grave of an absurd and unjust society?
What does it mean, ontologically and narratively, when the seeming finality of death disappears from our stories? What does it mean when our stories and our characters, unlike our lives, refuse to come to an end?