If Greta Van Fleet are that wonderful horrible thing called zeitgeisty, that zeitgeist is defined by desire to escape to a fantasized past where the battles were cleaner and the battle lines simpler than today's appear to be.
Fatima Bhutto discusses her new book on pop culture from the Global South, which goes above and beyond, among other things, the "sluggish, bloated, less urgent" films dominating Hollywood.
Donald Trump's rise in American politics is not a resurgence of fascism, argues professor Enzo Traverso in his essay, "Trump's Savage Capitalism" -- it is something else. Traverso's essay is published in this excerpt from The U.S. Anti-Fascism Reader, courtesy of Verso Books.
In these trying times of Trump, as American chauvinism thumps its chest and loudly threatens those who question, there is little room for contemporary filmmakers, or policymakers, who encourage sympathy for the war-damaged, the wounded, the wrecked.
Victor Serge, a rare survivor of Stalin's Terror, had a keen, razor-sharp intelligence and made observations that are highly relevant to our troubled times.
Adam Bradley's The Poetry of Pop works for what it obviously wants to be, a primer on American popular music.
Legislation, the vehicle of idealists, is bereft of ideas in the times of Trumpism. We are left to fend for ourselves.
Critic Mark Fisher never stooped to suckle the masses; nor did he fluff the pillows of academics. Colleagues Simon Reynolds and Darren Ambrose provide insight into Fisher's posthumous book, k-punk, and his intriguing legacy.
Our pop culture landscape is controlled by capitalistic saturation and a deeply-entrenched machismo ethic. It might not be powerful enough to erase Agnès Varda's genius, but it is shameless enough to eliminate her from the common discourse.
In Out of Our Minds, Fernández-Armesto encourages readers to distrust visionaries who promise perfection.
Jia Tolentino's first collection of essays, Trick Mirror, expertly navigates how the byproducts of capitalism and the Internet permeate culture, values, politics, and the daily lives of people worldwide.
As in the America of the 1970s -- with its political corruption, war, economic straits, and fatalism -- Robert Altman's Brewster McCloud resonates loudly in these times. Shall we join the circus freaks dancing on the grave of an absurd and unjust society?
Wild rebellion and reckless combat are increasingly less valued than ethical wit and spiritual sustenance in Megan Volpert's entertaining and insightful Boss Broad.
Olivia Erlanger and Luis Ortega Govela's Garage challenges the beguiling, energizing, and yet limiting power of the garage in America as a symbol of escape and reinvention.
Eula Biss's essay collection remains compelling not only for its elegant prose that melds politics and personal essay but because its subject matter may be even more relevant today.
Mark Fisher's posthumous collection of essays, k-punk, edited by Darren Ambrose, is an important reminder of the power and versatility of Leftist thinking in horrible times.
Donna Zuckerberg's Not All Dead White Men is a powerful study of the ways the alt-right distorts the understanding of ancient Greek and Roman literature to serve hateful interests today.
In White Fragility, Robin DiAngelo commits the error of telling her readers what to think instead of providing ways to use critical thinking to challenge societal norms.
The End of Endings: How 'Harry Potter and the Cursed Child' and Don DeLillo's 'Zero K' Explain the Current State of Storytelling
Somehow, without realizing it, for both DeLillo and Rowling, death, the end of the world, and endings themselves are best emblematized by a dysfunctional father/son relationship.
One can't help but wonder what Epstein feels at churning out fuel for those reactionaries most determined to wreck "the best that has been thought and said" in liberal culture.
What does it mean, ontologically and narratively, when the seeming finality of death disappears from our stories? What does it mean when our stories and our characters, unlike our lives, refuse to come to an end?
Throughout Dead Girls, Bolin is too eager to jam pack chapters with popular cultural references rather than fully deconstructing the subjects.
Hannah Gadsby's acclaimed Netflix special is a cultural milestone not only because it demands a better future, but because it teaches us about the present moment and where we might go next.
Anthony Bourdain was loved not for his wit or charming temerity, but for confronting us with our own alienation and cultural isolation. He reminded us that there were connections to be made over the dinner table.
Christopher Hitchens: The Last Interview and Other Conversations is a tantalizing, brief appetizer of the breadth, scope, and urgency of this legendary contrarian's thoughts on such topics as religion, war, literature, and media.
The significance of Umberto Eco's work as collected here is found not in his astonishing foresight but in his reasoning.
In Hickey's formulation, what is raw is hot. What is cooked is cool. Art and democracy are better served by cool cats, not hotheads.
Mark Greif tackles the big picture in a collection of interesting, ponderous, powerful essays about music, experiences, identity, and reality in all its forms.