Skip to content
PopMatters

PopMatters

Essaying the pop culture that matters since 1999

Primary Menu
  • Features
  • Reviews
  • Lists
  • Music
  • Film
  • TV
  • Books
  • Interviews
  • Picks
  • Donate
  • profile-icon
    • Log In
    • Registration
    • Logout
    • Account

dance music

Featured: Top of Home Page/Music

Flint Eastwood: Late Nights in Bolo Ties

By
Cole Waterman
/ 25 October 2013
Featured: Top of Home Page/Music/Reviews

Modestep: Evolution Theory

By
Darryl G. Wright
/ 2 April 2013
Featured: Top of Home Page/Music

Various Artists: 50 Weapons of Choice

By
Darryl G. Wright
/ 11 February 2013
Featured: Top of Home Page/Music/Reviews

Calvin Harris: 18 Months

By
Evan Sawdey
/ 5 February 2013
Featured: Top of Home Page/Music/PopMatters Picks/Reviews

The Very Best: MTMTMK

By
Josh Langhoff
/ 19 July 2012
Featured: Top of Home Page/Music/PopMatters Picks/Reviews

Icky Blossoms: Icky Blossoms

By
Cole Waterman
/ 18 July 2012
Featured: Top of Home Page/Music/Reviews

Digitalism: DJ-Kicks

By
Darryl G. Wright
/ 10 July 2012
Featured: Top of Home Page/Music/Reviews

Adam Lambert: Trespassing

By
Josh Langhoff
/ 13 June 2012
Featured: Top of Home Page/Music/Reviews

Batida: Batida

By
Josh Langhoff
/ 16 May 2012
Featured: Top of Home Page/Music

Various Artists: Dirtybird Hatched – Volume 1

By
John Bergstrom
/ 22 April 2012
Featured: Top of Home Page/Music/Reviews

Yuksek: Living on the Edge of Time

By
Sachyn Mital
/ 27 March 2012
Featured: Top of Home Page/Music

Gigamesh: Gigamesh EP

By
Mike Schiller
/ 24 October 2011

Posts navigation

Older posts
Newer posts

Follow PopMatters

FacebookTwitterBluesky
SpotifyInstagramThreads

RECENT

  • Cautious Clay’s New Album Is Evening Angst Distilled
  • Southside Johnny: Bluesman, Soul Shouter, Moving Balladeer
  • Tame Impala Seek Truth Through Imperfection in ‘Deadbeat’
  • Blondie Went Genre Crazy on Their Comeback ‘No Exit’
  • Syd dePalma Leads Us to an Uncanny ‘Paris’
  • Slow Crush’s ‘Thirst’ Proves They Are Aptly Named
  • Oliver Ray Gets Darkly Political in “Black Budget”
  • Why 2025 Is a Crucial Year for Post K-pop 

Follow PopMatters

FacebookTwitterBluesky
SpotifyInstagramThreads

About

  • Masthead
  • Submission Guidelines
  • Mission

Follow Us

  • Facebook
  • X
  • Bluesky
  • Spotify
  • Instagram
  • Threads
© 1999-2025 PopMatters LLC. All rights reserved. PopMatters is wholly independent, women-owned and operated.