
Jessie Ware’s ‘Superbloom’ Is Her Gayest Album Yet
Jessie Ware is hornier on Superbloom than its predecessors, and that alone makes it more assertive. It’s quite possibly her gayest record yet.

Jessie Ware is hornier on Superbloom than its predecessors, and that alone makes it more assertive. It’s quite possibly her gayest record yet.

Slayyyter’s third full-length, Wor$t Girl in America, is a diamond-hard jawbreaker of a pop record, a totally self-immolating blaze of glory, a final roar before extinction.

Ambiguous Desire is a dance pop album, but since this is Arlo Parks, it’s a low-key, introspective one. The indie dance pop feel is a successful sonic shift.

Sexistential embodies the contradiction in Robyn herself at this juncture in her career: she’s the blueprint, so she refers to herself as such.

Harry Styles negotiates with style and substance on his fourth album, reminding listeners why he long ago transcended heartthrob status.

Hilary Duff toes the line between acoustic and dance-pop, but she ties it all together with songwriting about, for lack of a better term, millennial ennui.

Skittering post-disco rhythms, slap-bass riffs, synth-lines, the ebbs and flows of sax, and declamatory soaring vocals make up the sound of post-punk’s Leisure Process.

Sudan Archives’ The BPM is a high-tech, futuristic odyssey, full of heaving, sweaty, dance-floor-ready anthems. It’s also an intensely human record

Ten years ago, electro swingers Caravan Palace released a masterpiece that defied even their own fans. <|°_°|> (Robot Face) is what their legacy hangs on.

Demi Lovato stops overthinking her craft on It’s Not That Deep, a slick collection of club-ready tracks. The record strikes a new balance between work and play.

The epic Extended Stimulation set collects remixes of often overlooked 1980s songs, and you’ve never heard them this way before.

Saint Etienne discuss their career and philosophy amidst the release of their final album, International. They move your body as much as your mind.